A Stylistic Study of Phonetic Balance and Homogeneity of Tone of Speech in Havamim Surahs

Internal music, which is one of the branches of phonetic stylistics and one of the modern characteristics of literary texts, has emerged after the connection between the form and content of words, and creates a special sense of bliss in the human soul. One of the aspects of this literary feature is the tone and the speech melody, which is one of the many manifestations of the speech music and includes the quality of pronunciation and speech characteristics that the speaker uses to convey a message and influence the audience. Given this, the Qur'an has doubled the effect of the meaning on the audience by making full use of the musicality of the language and its mentioned feature in such a way that in the ayahs that express punishment, the tone of the words is fast and striking, and in the ayahs expressing mercy, forgiveness and divine blessings, the tone is soft and soothing. On the other hand, due to the thematic affinity of the surahs which have similar disjoined letters, the internal music, especially the tone and speech melody in these surahs have been studied using an analytical-descriptive method. The results of the research show that the melody and tone of the speech in the seven surahs of Hawamim, which have also been ordered in the order of revelation of the Qur'an, have a very close resemblance to each other, and have a unique fit and harmony to the extent that the frequency of using different letters in each surah is approximately 72% for al-maad letters, 31% for stressed letters, and 6% for al-leen letters, which explains the unique harmony of words and meanings arising from phonemes and words in these surahs.