The stylistics of Divan Molla Mohammad Khaki Soleimanieh

The written works of any nation are one of the most valuable national and cultural heritages of that nation. Therefore, introducing and correcting them is actually honoring the national identity and that is what the credibility and cultural greatness of our nation depends on. One of these manuscripts is the manuscript of Divan Mulla Mohammad Khaki Soleimanieh. The purpose of this research is to introduce this manuscript and examine its stylistic features from three perspectives: linguistic, literary and intellectual.

This research was done based on library studies and descriptive-analytical method. The method of correction is a critical method based on which several versions are compared and compared.

The language of Khaki's poetry is simple and fluent and has no complexity. He has used all kinds of puns and repetitions for the beauty of his poetry. Khaki pays attention to imaginary forms and simile can be considered the most prominent imaginary forms in his poetry. In addition to creating verses that include love on the earthly and heavenly levels, the poet has also expressed religious, mystical, educational, critical, praise, etc. issues.

Covering the ground in Persian and Arabic language and including verbal and spiritual ornaments is one of the advantages of his poetry. Among the commonly used weights in his court, the most frequent ones belong to Ramal and Hazaj. At the literary level, simile, metaphor and allusion stand out. The praise of the Almighty and the mention of monotheism, the saying of the Holy Prophet (PBUH), advice and admonitions, the superiority of love over reason, and mystical terms such as death and survival form the intellectual structure of this divan.