Linguistic, literary and intellectual analysis and interpretation of Malakut Abdi Beyg Navidi Shirazi's treasures

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Article Type:
Research/Original Article (دارای رتبه معتبر)
Abstract:
BACKGROUND AND OBJECTIVES

Khazain Malakut, the work of the 10th-century poet "Khwaje Zain al-Abidin Ali" nicknamed "Navidi" and "Abdi", is one of the poets, sages, writers, and secretaries of the Safavid government. It is written in as many as 7580 verses, and on the weight of the verbs of the verbs of the verbs (Bahr Khafif Makhbun Mahzuf). There are two manuscripts of this Masnavi numbered 2425 and 362 of Imam Juma in the central library of Tehran University. This work is written in Nastaliq script, it has not been corrected and published yet. This research deals with the linguistic, literary, and intellectual interpretation and analysis of the Khazain Malakut Abdi Beyg Navidi Shirazi. For a better understanding of Abdi's personal style, his linguistic characteristics are analyzed and examined at three linguistic levels (words and syntax), literary and intellectual; Then, while extracting this work's most frequent linguistic features, his individual style has been examined.

METHODOLOGY

This research is based on library studies and descriptive-analytical methods. ehT collection and analysis of data, it has been done using the documentary or library method and by extracting the manuscript text.

FINDINGS

Abdi in addition to words and composition, uses images and pictures with original and imaginary words. The poet's extensive knowledge of various subjects, mastery of the Arabic language, familiarity with the Qur'an, his acknowledgment of having covered 30,000 hadiths from the Prophet of Islam (pbuh), and the mention of many miracles and miracles in this masnavi indicate the poet's rich knowledge of this valley.

CONCLUSION

Abdi Beyg has been very successful in composing this masnavi, of course, one cannot ignore his imitation of Amir Khusro Dehlavi's Seven Military Figures and Eight Heavens, Zahab Jami's series, etc.; Therefore, in terms of structure, theme, and content, he was more influenced by poets before him; For this reason, he cannot be considered a poet with style.

Language:
Persian
Published:
Journal of the stylistic of Persian poem and prose (Bahar Adab), Volume:16 Issue: 93, 2024
Pages:
201 to 221
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