A content comparison of Leyli & Majnun by Nizami, and Feraqnameh by Salman Savojis

The present story was developed to analyze and compare Leyli & Majnun by Nizami, and Feraqnameh by Salman Savojis. The findings are presented in a descriptive-analytical fashion. Undoubtedly, Leyli & Majnun, composed by Nizami, is one of Iran’s, and actually, the world’s rich literary masterpieces. As a deed and rich literary work, which offers an artistic pleasure, it has the potential to be contemplated and pondered several times. Therefore, through these devices and a close focus on its formal structure, intrinsic content, the rhetoric discourse in its texture, added to all the other concealed structural potentialities within it, the reader can discover valuable points in it. For this reason, this article is devoted to surveying the concealed structural and formal potentialities within Leyli & Majnun and Feraghnameh. And since Savoji is a follower of Nizami, this paper tries to reveal Nizami’s deep impact on Savoji’s Feragnmeh both in content and style.