مجله متن شناسی ادب فارسی
سال هفتم شماره 1 (پیاپی 25، بهار 1394)

In researches on Stylistics، the style is classified into two categories: personal style and general (periodic) style. In general stylistics، texts are examined based on common elements of styles in a certain period. However، in personal style، personal and psychological characteristics of author are considered so that the style of each author is evaluated in relation to factors such as taste، preference، ideology، and scientific and social status. Leo Spitzer is one of stylists who believe that the stylistics depends on the recognition of author’s mood and characteristics، and accordingly he offers his method of stylistics based on three stages. This paper tries to reveal the value of personal style in researches on stylistics based on the stages of Spitzer’s theory. For this reason، Ahmad Ghazali’s treatise “Savaneh” was selected as a practical example of this project and it was investigated Ghazali’s personal style in writing the treatise “Savaneh”.

Nowadays the issue of the recognition of the history and nature of the tradition narrative in Persian language processing is necessary. In the attempt to investigate the nature of old story remains a tale of the text of the stories، the first part is focused on Balamy. processing described in the text. Feature stories fictional elements on the Balamy started writing it (352 AH)، a show that narrative began forming in the early centuries of the common language، Farsi Dari and cooked narrative elements and a Structural sophistication Balamy anecdotes on the nature of the text shows that this approach suggests a translator that are making you experience the heritage Balamy predecessors had left. So the root form tradition of story -making in ancient texts processor must be sought from the fourth century AD.

Storytellers'' scrolls are one of the most important parts of the folk narratives of this land. These narratives may clarify some of the ambiguous parts of Persian epic tradition. Volume of these scrolls makes their studies rather difficult. One of the ways which helps us in studying these folk narratives systematically is indexing their motifs. This index will analyze the inside narrative elements of these texts. Stith Thompson in his six-volume motif-index has classified motifs of folk literature in different narrative traditions of different nations and cultures. Thompson''s method has given folk literature a kind of pattern or framework that would facilitate the access to the motifs of any narrative and their counterparts in other similar narratives. On the other hand، the international motif classifying system makes it possible to study the similar motifs in different nations'' folk literature and will lead us to the comparative studies. Hence، classifying motifs of the scrolls provides a clear list of motifs that can be a basis for easier access to each motif in different versions of scrolls، finding the roots of these motifs، studying the evolution، development and survival of a motif in different periods and also paving a way for comparatives researches in the future. Finally، cataloging motifs of a part of folk literature can be a model for making a complete motif-index for Persian folk or even formal literature. With extracting the motifs of Fereydun''s tale in Meshkinnameh، this paper attempts to show that Thompson''s method can be entirely consistent with Persian folklore and reveals the richness of Persian folk literature in adding new motifs to the international motif-index.

Abn-al-faraj Roni is among the proficient poets and his poetry enjoys significance for different reasons. This poets book of poetical works in duding odes، stanzas، quatrains and sonnets has been corrected and published twice in Iran. The first publication was in the year 1304 with the efforts chalking made and the second one in 1347 by the endeavors of mahmoud mahdavi damquani. This article، trying to investigate the recent edition، manifests the weaknesses and the recent edition، manifests the weaknesses and the inexpressive points of this version in some items، the method of correction (its indefiniteness and being non- critical)، mentioning the false versions (not mentioning the false versions، not restraining the false versions appropriately، not restraining the margins of false versions)، the errors concerning the attachments، deficits in the final profiles and printing errors. Therefore it is clearly observable that the presently- available correction of Abu-al-faraj Ronis book of poetical works contains much trivial and also major errors and mistakes. Which justify the need for recorrection.

Sharafoddin Hassan Hakim Shefai Esfehani (956-1037 AH) was a physician، mystic، and a skilled poet who lived at the Safavid time. He served as the private physician of King Abbas the first and waited on him as an interlocutor and a respected poet. The king granted him the titles “poet laureate” and “Iran’s apex” by virtue of his humorousness، glib tongue، knowledge، and ability to entertain. Shefai was the master of the poets of his time especially Saeb Tabrizi. He is considered similar to Khaqhani in that he introduced medical expressions into poetry. For example: Everything looks foamy-mouthed like an epileptic patient، As though ebony vanes lay among favanya petals. Shefai made a living through practicing medicine. His anthology consists of 12000 verses bundled into 10 pieces (qheteh)، 10 tarkib bands، one refrain، 47 quartets، and 1060 sonnets. Like Khaqhni’s poems، most of his sonnets contain a rhyme pattern. However، what distinguishes Shefai is the vast use of medical words and expressions mostly in his odes and sonnets. His poetry is endowed with a specific elegance created through a variety of concepts that are based on imaginative thinking and to-the-point figures of speech. Among the medical concepts employed in Shefai’s anthology، one comes across 55 herbs and herbal drugs، 60 diseases، and 35 miscellaneous expressions each of which has a certain application and stands in full professional orientation to the poet. The salient presence of such concepts has led to an amazing work of art framing a multitude of images and figures.

Attention to the advice and advicing in Iran has a life to the length of history، so that in the middle of oldest writing remainder from ancient Iran one can see the presence advices and councels. This tradition continued in the Islamic period and has continued its existence until our time and in this way، almost long، many of Iranian grandee and literateurs turned in and in this relation have lef precious works from themselves. One of the greatest poets of persian literature that have a special attention to the advice and counsel subject is Abolqasem e Ferdowsi. He in Shahnameh accorded special status for advice and counsel، and has been left in this aspect pithy and eloquent lines which from long time ago welcomed by public، and of course this is apart from numerous advices than there are in the text of the Shahnameh stories and expressed from characters language. This research more than anything else tries to reveal intellectual sources of some Shahnameh advices and are presented in this base، more than Pahlavi books and andarzname like: Azarbad e Marspandan advices، andarzname Bozorgmehr، javidan e kharad، and poetry more poet before Ferdowsi like Rudaki as effective sources on Shshnameh advices.