نشریه پژوهش های ادبیات تطبیقی
سال چهارم شماره 2 (پیاپی 8، تابستان 1395)

In this article, we have discussed the research in the following comparative literature at new horizon and by Michel Butor literary ideas about the concept of border the issue of how to discover the identity Elstir portrait painting model - Elstir is one of the characters in the novel In Search of Lost Time, Marcel Proust's great work -by the narrator. In this study comparative literature uses the literary ideas about the research. In one of the volumes of the novel In the Shadow of Young Girls in Flower, Narrator, without any clear indication in the painting Portrait, Elstir, decreased to discover the identity of the painting. The subject of this article, the truth is by the narrator. How to achieve true narrator and his search path for research in new comparative literature. In this study, we have used the idea of literary Michel Butor of the border that is synonymous with depth and intimacy.

Filmmakers, television programmers, experts in literature, and those with an average knowledge in literature, cinema, and television, have different standards in evaluation of adapted movies. Similarly, there are various theoretical foundations in comparative studies of adaptation. Analyzing adapted movies and comparing them with literary sources can be done with a cultural study approach of which nature is interdisciplinary depended more on cultural feedback. From this perspective, examining the relationships between cinema and television regarding One Thousand and One Nights series shows that the adaptations in which the story has been developed according to its very cultural-historical function, succeeded more. These kinds of adaptation were faithful to the structure of the work. The reason why the faithful adaptations to One Thousand and One Nights were successful is that the theme of this book emerges from its structure. Crossing out the theme pattern in adapted movies doesn’t satisfy common addressees of book and movie.

Lover’s person's life, often the source of the narrators and transmitters. For this reason, love stories in literature people of different have occupied a large space. The stories have many similarities in structure. Layla and Majnun story is the most famous and most ancient Arabic tales has a major influence in the development of Persian literature. Iranian literary love stories and the stories of many who have been created with the same name, the story is in Persian literature in terms of structure and content, have many similarities with the Arabic novel, it is the story of aziz and negar. Outlook tries to comparative analytic method, coherence and diversity of the stories from the perspective of structuralism review. The difference is similar to the story of Leili and Majnun Arab and aziz and negar story, according to the American School. The as a result aziz and negar story, a group of folk love stories of literary influences are not given formal.

ultra Rational, logical and mystical nature of gnostic facts and meanings from one side and limitation of language function area from other side, caused poets and mystics to use deviated language and expression. Simile which is one of the most important and frequent of semantic deviation in mystical poems, has been used by mystics for creating poetic images and expressing their own thoughts.
In this study authors criticized and discussed the deviated similes in Ibn Alfarez and molavi’s complete works with analytical method. This study shows that frequent use of compact similes is more than spread similes in their poems (both poets), because this method results in length in mental challenge and hesitation. Sometime the relation between the simile parties in their poems is so far that deviation observed more. They caused meaning to be understood later by using so many similes. Through this, they make their words prominent and leads to more literary pleasure of readers. although Ibn Alfarez purpose was to explain exalted concepts and holy command for reader’s mind, and was interested in application of perceptible simile to rational simile, but Molavi uses rational simile more than Ibn Alfarez. Perceptible to perceptible simile are very frequent In Molavi’s poems because of his mystical and spiritual taste. Also frequency of spread similes in his poems is more than Ibn Alfarez.

Time is an abstract concept standing beside others such as the location and human. Time, in human experience, has two aspects of outer time and inner time. The outer time is indeed that real time which the human being is unable to change its circumstances, while the inner time is the creation of the man’s mind. The present research deals with the examination of the concept of time in the poems of Mahmoud Darwish and Gheisar Aminpour so as to specify the utilization of the time element by these two poets.
This article, at first, has set to define the time lexically and the main opinions stated about time .Then, presenting a definition of outer time and inner time, it studies the thoughts of these two poets on the element of time. This research shows that Mahmoud Darwish and Gheisar Aminpour, for achieving eternity and escape from death, have had recourse to modes like return to past, myth and love, indicating the common view of these two poets on the element of time.

As an epic Shahnameh in Iran, along Iliad and the Odyssey are the world''s most famous epic works. Today, in the modern world, especially after the birth of comparative literature and comparative approach to the works of world literature as it is faced with acceptance. Anand critical discourse analysis of the literary text like other texts, in the service of communication. Therefore, they can also be analyzed with a critical attitude and approach. Tuesday Asrmvrd review, centered around personalities, Hector, Odysseus and Rustam planned. This epic heroes in bed, sometimes for homeland himself in the role of king with heroic.place. Ferdowsi''s epic Homer and the composition of dominant discourses, in the form of pre-existing genre, have now opened a new epic. Thus, the three epic, as a communication event, only a reflection of the thoughts of the The poet thought, but rather, criticized the cowardly actions look heroic and popular discourse reproduces special.

Women in the book of “One thousand and one nights” and “Ferdowsi’s Shahnameh”, various social roles, sometimes positive and sometimes negative, are responsible; the role and position of women in two somewhat different. More tales One thousand and one nights, unlike the shahnameh, the loathing of women begins. At the beginning of this story, it seems that she is defeated and surrendered, but it is not so, but at the end of her affair with a feminine subtlety to spend, will win. In this paper with the method of descriptive-analytical, social status and role of women in two great works have been reviewed and compared. Most of the stories have been studied in this paper, which are responsible for a good female role. The results of this study indicate that the legend of the One thousand and one nights unlike the shahnameh, role of women in negative and sometimes mixed with evil of satanic.