فصلنامه شعر پژوهی (بوستان ادب)
سال هشتم شماره 4 (پیاپی 30، زمستان 1395)

This article aimsto analyze the innovationsof IbnNasoohiShirazi¡ the poet of the eighthcentury¡and theroleof couriers intheMohabbatnameh. Mohabbatnameh is oneofthe subsets of Dahnamehpoem. Dahnameh is a romantic and narrative lyric intheformatof ghazal and masnavisynthesis that is created basedon theexchangeof letters between thelover and thebeloved. Themain patternof the most Dahnameh poets is the Awhadi Maragheyi’s Dahnameh¡ but IbnNasooh has created some innovations in this field. IbnNasooh masterpiece is that he has added to thenumberof couriers in hispoem and also has used them wisely inthe imagination creating. Mohabbatnameh has ten couriers: TheMoon¡TheSun¡SabaWind¡ShamalWind¡Comb¡Mirror¡ Candle¡Butterfly¡Flower¡ and Nightingale. In fact¡ IbnNasooh has built his Dahnameh not based on the letters¡ but based on these ten couriers. Inother words¡ not only the letters are shaped on the basis of a dialogue between the lover and the beloved in Mohabbatnameh¡ butalso thecouriers are advancing thenarrative.He has made a pleasant proportion between the courier¡ the transmitter and the receiver. Moreover¡ these tencouriers have a majorrole increating contents¡ construction of the images and atmosphere.The most important courier of Mohabbatnameh is thesixth one whichis theMirror. IbnNasooh has benefited well from this courierand mirror’s secret in Mohabbatnameh . This courier is the turning pointof the narrative in Mohabbatnameh. Lover has changed after seeing the reality of love in the mirror and being aware of the unity of the lovers¡ and after that the arrangements of the link are provided. Research in this way can be very effective in the recognition of the literary value of Dahnamehs¡ the type that it is almost unknown.

Conceptual metaphor is a window in to the metaphorical worldview of the writer. Accordingly, the focus of a metaphorical mapping in the mind, leads to the development of the individual mentality and the creation of analogous metaphors and finally to the originality of the individual style. Because of the ambiguity in the assignment of some Quatrains to Khayyam, this research aims to identify the authenticity of the Quatrains which are assigned to him by Mohammad Ali Foroughi and Qassem Qani .The results indicate that in a total of 178 quatrains of this book, there are 15 basic conceptual metaphors. Comparing the conceptual metaphors in 66 original quatrains and 112 quatrains attributed to him , it is shown that the metaphors: journey, secret, container, opportunity, transformation and structure, in both groups are the most frequent ; so that 58 Quatrains of the 66 original quatrains and 101 quatrains out of 112 attributed quatrains follow the central mapping of these metaphors. Also many of these quatrains contain 2,3 or even 5 of the above mentioned metaphors ; this leads to the connection of these metaphors and consequnetly the originality of the style .Among these 112 quatrains, 4 are not included in these metaphors subcategory and assigning them to Khayyam doesn’t seem true. Comparing the theme of these 4 quatrains with the Omar Khayyam’s System of thought and his metaphorical thinking and also looking them up in the other resources confirms this view.

Renowned for the story of Rostam and Sohrab among the people and the tragic end of the story, which is due to be made to mimic stories, one of which is Borzo several versions of it remains in prose and poetry.Borzo structure of epic properties, events, characters, and each has significant differences.Check narratives left of Borzo’s life, can follow the events of his life from his childhood and to achieve an outline. The point is that in the context of existing Borzo , not a trace of his death and only in folk narratives are several references that can be gained from the circumstances of his death.The common denominator of these traditions is that After the death of Rostam and often during bahman’s avenger, borzoo is killed by the demon.there is a poetry narrative of borzo's death that is his battle with the mehras demon that is attached to some Manuscripts of the Shahnameh. first of all in this article explain the hero’s Borzo in four separate narratives that remained of his poetic narrative then we review the poetry narrative of the end of his life and its possibility of the emergence of the end of his life and its time.

The literature fully mirrors the society as it reflects in itself the feelings, sentiments, and ideas of a nation. Depending on the time when it goes through a transition, the society craves for ideas and feelings suited to the ideas and concerns of time in its literature. In the modern time where the science is progressive with a growing speed and its effects on the pillars of the society seem significant, the literature has undoubtedly laid its own effect. More precisely, the modern literature, as a progressive phenomenon in the course of Iranian literature, with its particular approach has opened its arms to a set of new contents and concepts as well as a novel language, structure, and syntax of which it was the initiator together with a new choice of lexicon, thereby demonstrating the effect of science on itself. With its jargon which are simply the terms applied in idiomatic sense, the science has managed to place itself among the vocabulary used by the poet and, at times, has gone further, turned into a theme, and has been manifested in the form of scientific data in the poetry. The use of expressions whether as a word or as a theme or even as a flavor for poetry are all reflective of science in literature, denoting the great influence of science on literature. Thus, the present study aims at exploring some of these scientific data in the modern Persian poetry.

Basic Prssh article why the lyrical texts or mystic texts Nmadprdazyhay BhrhMnd of romantic literature, sometimes with themes based on religious literature face left? What is the origin of these themes? And whether it can be explained how the formation of these themes in the artist's mind? SrvdhHayy lyrical interpretation, especially in the ability to have mystical themes with themes sometimes face in them superhuman and divine lover is standing outside of the circle and at the beginning it can be perceived and received religious literature . In this paper, first the concept of "religious literature leave" and then its definition, with the English poetic texts NmvnhHayy, early texts of ancient poetry to contemporary literature, ten of the areas of the division BndyAy Gyry will be provided. As will be explained in detail in the Iraqi style, a combination of romantic and mystical DrvnmayhHay-raking, one of the spaces PrjlvhTryn cracks apparent religious literature, "lyrical content" is. But the bulk of the writing, look at the poems of Saadi, as well as verses attributed to QysBn Mlvh (insane Ameri), which according to the authors, Saadi, is in some of the themes he has been affected by this issue and Vakavydh According to the relationship themes that may warrant out of the circle of religious literature with the issue of "Imagination" and explain the origin and the formation of these themes in the artist's mind, with YaryGrftn specific description of AbnRby "Imagination" and mystical love will be explained.

Shahrbaraz is one of the most famous commander of Khosrow-Parviz who fought with the Roman emperor (Byzantine) and won great victories. He captured Jerusalem and sent the true cross (one Christians believe that Jesus was crucified by it) to Ctesiphon (imperial capital of Iran) . He then occupied Egypt and Libya in 619 AD. So after several centuries he extended Iran’s territory as great as the Achaemenid era. But his relation with Khosrow was strained soon. In this article we have tried to investigate the causes of this rupture in their relationship. Considering historical narratives on the relation of Khosrow and Shahre-baraz it is deduced that the Shahnameh narration is more comprehensive and more believable. According to Shahnameh the major factor of schism between them was the accumulation of wealth by Khosrow and expensive taxes that result of his continual and barren wars that their costs were paid by the people. Shahre-baraz has been fighting for several years for Khosrowbut when he saw people suffering and Khosrow,s tyranny and dictatorship and rejecting the peace demands of Herakle, He thought that staying in Khosrow’scamp is not reasonable. He converted to Christianity and decided to overthrow Khosrow’s government .