نشریه مطالعات ادبی متون اسلامی
پیاپی 1 (بهار 1395)

Artistic image has been considered by the rehetoric scientists and critics from past to present, and its concept has been increased over time and in addition of types of rhetorical ,includes other cases sush as songs of words, tones of sentences, exact descriptions, contrast of scenes.
Prayer is attention to God and demanding with supplication which has devoted a vast parts of legacy of innocent Emams. And be considered as a kind of eslamic literature that shows pleasant and beautiful panel. Prayers of Emam Reza is no exception of this norm.
This research tries with using descriptive-analytical approach to studies factors of artistic images in one of the prayers of Emam Reza with considering concept of artistic image in the new criticism. Results of research represent that Emam Reza used fresh and alive images during prayer of Emam Zaman that originate from strong thought, emotion, structure language , imagination and rhythm in sentenses.

“order” and semantic coordination is one of the most important miracle of the Quran. It seems this order exists to provide a semantic chain of events and story scenes. But, commentators and researches have not focused on the question whether the miracle stories of the Quran are in the same way or not? To prove this hypothesis of semantic order in the stories of the Quran, the themes of the story of Joseph (PBUH) in various scenes were investigated by analytical method. The results show; despite numerous events and scenes in this story, semantic chain of primary and secondary themes filed in any scene; coordinated, consistent, systematic and logical sequence is presented. In such a way that none of the sub-theme of the main theme (the dominance of God of devoted servants and the triumph of the Divine Will) cannot be seen not only different, but all have been used to strengthen the basic idea. In addition, the sub-themes have meaning relation associated with dreams and visions which are the most important link between different scenes and many themes in the story.

Quran has used the different methods to assign the concept of death due to special and common addressees by images, artistic , literary ways. Some of these images, interpretations transfer the concept of God's power and unavoidable death, to present the images of human's fear to death and some inspiration of psychological security and calmness and some concepts of joining beloved. Other have used these images to associate human's sweet emotions to concept of death or the image of loneliness and solitude. Other images show the concept of martyrdom and killing for God, the immortal life. This study has chosen five Sureh of Quran to interpret the rhetorical, aesthetic aspects due to descriptive-analytical methods of aesthetics, to introduce the verses.five Sureh of Quran to interpret the rhetorical, aesthetic aspects due to descriptive-analytical methods of aesthetics, to introduce the verses.five Sureh of Quran to interpret the rhetorical, aesthetic aspects due to descriptive-analytical methods of aesthetics, to introduce the verses.

Since long time ago, Western literary figures have focused on Muslim literary figures’ thoughts and their literary and philosophical works. Abd al-Amir Sams al-Din, Ebrahim Madkour, Zarrinkoub, Sajjadi,Parvini and Farouq Sa‘d believe that in his story Robinson Crusoe, Daniel Defoe, like any other Western literary figures, was influenced by Andalusia philosopher, , Golshiri’s Ehtejab.
This article is a comparison between , Golshiri’s Ehtejab and Robinson Crusoe to distinguish the influence or not affecting of Defoe from Najib mahfooz.l in this regard firstly their content will be analyzed on the basis of subject and theme; then its structure will be examined with the emphasis on plot, character, viewpoint, scene(time and place), and ending; and finally their content and structural similarities and differences will be studied. Findings of the research show that these two stories are similar from a structural viewpoint but there isn’t much similarity between them with regard to content.

literary texts , due to being multilayers , face different , social and cultural interpretations. The main aim of the orator is the persuasion of the participants to understand the textual context in the environment of speech situational context. The term of context is usually divided into two groups including (textual ) and non (situational ) contexts. Textual context studies the role of linguistic element in text and its effect on the functional and semantic outward display of text and it seeks to achieve the aesthetic aspects if text. Situational context is studied in a special situation where the text was created. “the Reproach of kufa people” is among sermons that imam presented to people in kufa to show his dissatisfaction with moral vices of people and because of not helping Mohaamd Ben Abi bakr . then remind people of their compared them with followers of Moavieh in order to stimulate their courage and activate them for against the enemies. The main question is what effects the different situational contexts of this sermon have on the conditions and coordination among structural and textual contexts and their beauty . one of the findings of this research is that this sermon , due to the congruence and proportion of different structural and textual contexts with situational context , is rich in unique literary, rhetorical and eloquent features. Using the art of meanings , expression and coordination and proportion of different structural and textual contexts with situational context improved the effectiveness of sermon.