فصلنامه عصر آدینه
پیاپی 28 (زمستان 1397)

In drama and dramatic work, when a certain event is accompanied by action and choice of character, the action is structured and the meaning is manifested. One of the most important meanings in the play is the concept of justice, which is related to other religious and moral concepts. On the other hand, the promised advent and the establishment of justice is one of the most important beliefs of different nations of the world, which in Shiite thought, the advent of Hazrat Mahdi (pbuh) (along with Ashura), the most fundamental belief. Gives and justice is revealed at the highest level. Therefore, this article seeks to answer the question of how Mahdavi and justice-seeking themes are manifested in drama? The results of the research show that theatrical works with a focus on emergence should not be limited to a specific division. Therefore, in a broader view, when the meaning of justice is created by the action and choice of character in a given event to create a coherent and integrated whole, it is manifested equally with the sympathy and arousing of the spectator, Mahdavi themes and the promised appearance

Mahdism as a field of study in the context of history has experienced various social, cultural and religious ups and downs. In order to study and analyze this historical ups and downs, which manifests itself in the form of opportunities and challenges, it is necessary to discuss evolution and pathology in the form of Mahdism research capacity measurement plan. Although in the field of capacity assessment of Mahdism research, various fields such as educational capacity assessment of Mahdism research and research capacity assessment of Mahdism research and cultural capacity assessment of Mahdism research, etc. are discussed, but in this article only the capacity assessment of Mahdavi research with evolutionary approach and Pathology is discussed and although in the field of Mahdism, the origin and various socio-historical departures are discussed, but here only two important socio-historical departures, namely, "the era of the presence of the Imams until the end of the minority" and "the absence of the cobra until the end of the century" The thirteenth coincides with the beginning of Mirza Shiraz's emigration Also, the necessity of this discussion can be documented with two reasons: 1- Verification and realism of Mahdism research issues is a branch of Mahdism research capacity assessment plan 2- Evolution and pathology of Mahdism research is based on Mahdism research capacity measurement. Accordingly, in this article, first the capacity of Mahdavi research in the form of evolution and then the quality of Mahdavi research in the form of pathology is discussed

In some religions, it is believed that finally a man will appear that free human beings from darkness, oppression, misguidance and sin, and will bring happiness and goodness to the earth and the people with a divine mission. In pre-Islamic Iranian texts, Avesta and Pahlavi, there are direct references to saviors and benefactors, and on the other hand, the world is conquered or renewed by saviors based on ancient Iranian texts, from the first two mythical-ideal cities, named Var of Jam and Kangdezh. So it is stipulated that if the utopian thought is formed in the heart of the promising thought of ancient Iran, can it be said that re-reading the physical, social and semantic principles and concepts of mythical utopias, can be a window to reach the principles and concepts of the promised cities? This research is descriptive, analytical and historical and based on documentary studies. A case study is based on two mythical utopias of pre-Islamic Iran, Var of Jam and Kangdezh. In the present research, the relationship between the promising thought and the idea of ​​utopia in ancient Iran has been studied. Re-reading the three concepts of form, community and meaning in the mythical cities of ancient Iran with the focus on Var of Jam and Kangdezh has expressed a narrative and a semantic origin about the promised cities. The results of the research indicate the presence of promised meanings and concepts in the art of designing the mythical cities of ancient Iran with the focus on Var of Jam and Kangdezh. The findings of this research can be used in the promising rereading in the art of designing the mythical cities of ancient civilizations

The coffee house painting was created in the late Qajar period and constitutional movement with martial, feminist, and religious backgrounds by uneducated artists in coffee houses. One of the school’s artists is “Hossein Dastkhosh Hamedani” who, in addition to coffee house painting with epic and religious themes, has been working on a variety of fields, including the Dervesh curtains, and has become one of the leading figures. The present study, along with a review of the artistic activity and introduction of the artist, has explained aesthetic aspects, composition, form and color in the works of noted artist. The main questions of the research are: 1. What is the aesthetic aspects of the artwork of a coffee house painting by Hossein Dastkhosh Hamedani? 2. What is the difference between the artist's works and other painters in the coffee house? This research is conducted in a descriptive-analytical method and with a comparative study. To collect required information, library and field documentation methods are used by observing works, interviews and taking photographs of the original paintings. The results of the research show that the different experiences of the artist in other areas of painting have had a positive effect on improving the quality, visual, technical and content of the coffee house painting, and the artist's greatest influence has been from the working style of deceased “Modabar”. One of the aesthetic aspects of the artist’s works is to focus on architecture and decorations, and to take into account the principle of beauty in the creation of works, by avoiding bloodshed and introducing personal intentions and feelings in polishing portraits. Also, of the distinct features of his works is to create a balance between imagination and realism and to avoid mistakes.

“Conceptual Blending” is one of the semantic linguistic frameworks that places emphasize on emergence and explanation of a newfound concept or structure. This study tries to elaborate the meaning of “the Light” and “the Light’s Manifestations of Ḥaḍrat Qā’im (A)” [Imam Mahdī (A) or the twelfth Imam of the Shi‘a] based on Qur’anic verses through the theory of “Conceptual Blending”. According to Conceptual Blending and data analyzing in this research, it is found that the words: the Light [Arabic: Nūr], the Dawn [Arabic: Fajr], the Day [Arabic: Nahār], the Constellation [Arabic: Burūj] and the Stars [Arabic: Khunnas] under interpretations of hadiths alongside the verses of the Qur’an regarding Ḥaḍrat Qā’im (A), have three proportions in function, status and truth. As their function is that all these words are symbols of life and movement. It means that the universe finds the true way with the help of Ḥaḍrat Qā’im (A) as the one gets rid of night’s darkness with help of stars’ light. Then, his brightness develops when the day appears like the universe continues to reach to the high level of improvement by the light of the day. Another proportion is that appropriateness of position, as this proportion happens in the highest place through the emergence of light of Imamate’s existence among the four elements. Then, fruitfulness of deeds, preservation and promotion of virtues will manifest under the position of this light; the twelfth constellation of the twelve constellations. In addition, all the lights of the universe have a common truth that they considered manifestations of just one source. Inasmuch as all of them are mediators of grace for just one comprehensive principle whose manifestations are the light of the true truth. All these lights play a role both in the establishment of the universe and the system of creation, and also in the formulation of the system of legislation, and in the identification of the Hereafter and the Resurrection.

This article is a study of the court of "Nostalgia away from the" promised "in the poetry of the poets of the Islamic Revolution." Undoubtedly, the issue of "Promised" and "Waiting for Faraj" is one of the most important theological issues in Islam, as if all creation was created to achieve that "golden" and glorious era. This issue has been studied in the forthcoming research in an analytical-descriptive manner, as one of the subconscious behaviors of the individual, in the poem "Poets of the Islamic Revolution". After rooting and defining this word, considering the cultures and taking advantage of the opinions of psychologists, he pointed to the factors that create the grounds for the grief of the homelessness of waiting and the nature of nostalgia for the emergence of "Savior" regarding the emergence of the Promised One. And the memory and how it relates to the "theory of emergence" is discussed. In the individual memoir section, the nostalgia of the grief of waiting for exile is discussed, and in the social nostalgia section, entitled Poets of the Islamic Revolution, and in the collective memoir, the poets' longing for the "Savior's Rise" is mentioned, with poetic evidence.