جستارنامه فرهنگ و هنر اسلامی
پیاپی 3 (پاییز 1401)

Pantomime has a long history as a wordless performance with exaggerated movements. Cryptography is one of the performance methods in this show. The beginning of the pantomime and the initial connection with the audience is very important, and the performance has more value than the story, which can overshadow everything. The present research, titled Analytical Structure of Pantomime with descriptive-analytical method, in addition to investigating and studying the structure of pantomime, will also pay attention to presenting the meanings and concepts of its components. In this research, by collecting and studying reliable sources, some have been used directly and some have been used indirectly. The sources that were directly used were included in the sources and reference section, and the indirect sources have been a good helper to get ideas and clarify some related issues. In the following, the library and experimental method has been very useful to complete and consolidate the discussion.

Islamic architecture is one of the most famous building styles in the world and is one of the rare and beautiful manifestations of Islamic art that has unique characteristics and the Islamic architecture of mosques can be an example of this beautiful and lasting art. The research method of this research is the analytical descriptive method. In this article, the influence of architectural art and specifically its Islamic style on the architecture of mosques, which is effective in the identity and culture of the society, is investigated. The wisdom of Islamic architecture led to the institutionalization of the tradition that works He turned the architecture of this era into eternal and beautiful souvenirs. What is known today as the Islamic architecture of Iran is the continuation of a tradition that has been able, relying on spiritual teachings, to manifest the pure Islamic wisdom in the material body of the visible world with the language of code and symbols, and with the influence of the Islamic vision and spirit, a kind of "unity" to induce in these works to the viewer. In the meantime, a case study on the Sultan Ahmed Mosque in Istanbul (Blue Mosque) with cascading domes, precise symmetry and consecutive arches, minarets and blue tiles inside the mosque, which is considered the pinnacle of Ottoman architecture, has been carried out in this research. Sultan Ahmed is known as the most impressive historical mosque in Turkey and the last great mosque of the classical period, which is inspired by the special and unique design of this mosque and in addition to the elements of traditional Islamic architecture, it is also inspired by the design of Byzantine buildings such as Hagia Sophia.

The role of studying clothes and embroidery decorations on them is not only important from the point of view of history and art, but also from the point of view of sociology and semiotics.the embroidery of the traditional clothes of Hormozgan women has a special place in the traditional arts of Iran. In this article, an attempt has been made to identify and introduce the motifs of zari weaving in the traditional clothing of Hormozgan women in order to determine its place in the traditional clothing of this region. The present article has been done in a descriptive-analytical way and gathering information in the way of library study and field observations. This article seeks to answer the question of what plant and geometric motifs are used in Hormozgan zari weaving and what is the position of this art in the traditional clothing of Hormozgan? The obtained results show that the artists of this region are committed to creating zari weaving motifs based on native and local paintings and influenced by factors such as nature. These motifs can be placed in two groups of broken designs (geometric) and revolving designs (flowers), which are used for women's traditional clothes, which include tunics, headdresses, and veils.

Iranian-Islamic identity is one of the main requirements of society and a prerequisite for any social life in our country. Accordingly, the present study is conducted with the aim of investigating effective factors in the formation of Iranian-Islamic identity in preschool students from the teachers' point of view. In this study, a descriptive correlational method was used. The statistical population included all the preschool teachers (30 people) of Lahijan city. Using total population sampling, 28 teachers were interviewed. To collect research data, a standard questionnaire of factors affecting Iranian-Islamic identity was used. Data were analyzed using SPSS statistical software. The results showed that parents' education, national pride, and personal beliefs; teachers' professional competence, appearance; curriculum; television programs; Internet and computer; special children's books; traditional and computer games have a positive and significant impact on Iranian-Islamic identity of preschool students.

Showing the image and narration of the life of Imam Zaman is one of the things that filmmakers often avoid.The reason is the refusal to desecrate this character. In this research, we use a descriptive and analytical method with a semiotic approach in the field of Stuart Hall's theory of "reception" to unlock the codes of movies. To answer this question: How is the character of Imam Zaman encoded and decoded in Iranian films of the sixties (Mother and Tenants)?The purpose of this research is to discover and investigate the codes of Mahdism in the films of the sixties of Iranian cinema، So that we can reach a suitable model for dealing with the character of Imam Zaman in Iranian cinema with the help of these codes. The findings show that; In each of these two films, there is a character named "Mahdi". This character-type can be deciphered in the coordinates of other characters. Each of them is an allegory of important sections of society. In the meantime, the existence of a character named Mehdi indicates a benevolent and benevolent person who is asked for help when needed. And after meeting the need, they push her to the sidelines out of fear of their interests. Examining these two films from the point of view of Mahdavitism has created an incentive to watch them again And it provides a model for narrating and portraying the character of Imam Zaman (AS) in today's cinema, which can be a way forward for filmmakers who often refuse to do so.

In this article, we examine the role of artificial intelligence in the reconstruction, restoration and maintenance of Iran's historical monuments and ancient artifacts. A country like Iran, which has an ancient and rich civilization, definitely has ancient works and buildings that have been left from the distant past and the history of this civilization. Although some of these works and buildings were destroyed by colonialists, or looted, or kept in other countries, or were destroyed naturally, it is our duty to maintain and protect all the works left from the past. goes Maintenance and restoration of these works becomes difficult and very expensive despite natural disasters or other dangers that threaten these works, but with the advancement of technology, new methods to protect these works have been created. They have said that they are very beneficial to the country's historical monuments. Since the arrival of artificial intelligence in Iran, it didn't take long until its effects became visible in various fields. Due to its high accuracy and speed, as well as its extreme practicality, this technology attracted the attention of researchers and archaeologists, and over time it was used in various matters. Was used. This technology has been done to a limited number such as the digital reconstruction of Persepolis in Iran. Among the uses of artificial intelligence, it is possible to mention the creation of digital museums or the creation of 3D models of these works, which have other advantages such as lower costs, access in all places and times, and creating grounds for further studies for It brings researchers or the creation of educational materials for enthusiasts all over the world.

The emergence of literature in the field of painting shows the deep and ancient connection between these two fields. The seven military figures are known as a source of inspiration for painters in creating paintings. On the other hand, in dealing with military text, painters use the poet's imagination in addition to their artistic and visual imagination and depict it. What and how this process is explained in matching the image with the poems of seven military figures. In this research, a comparative study of the story of the White Dome of Seven Soldiers with four images of the White Dome from four different periods has been done, relying on Gerard Genet's transtextuality perspective. Since the perceptions of the poet and the painter are different when faced with the text in its general form, but the coherence and continuity of the texts cannot be denied, in this research, we intend to compare the reading of each with the method of transtextuality and open the way. Let's question the transtextuality of Genet in the reading of paintings. With the premise of referring to the text of Nizami's poem, the artist uses three methods intertextuality: the presence of verbal signs in the image. Transtextuality: the interpretation of poems by the painter and his method in creating the painting. More textuality: He has used the imitation of the verbal system in the creation of the visual system in two forms, change and imitation in the creation of his works.