نشریه فضای زیست
سال دوم شماره 1 (پیاپی 3، بهار و تابستان 1401)

Rhythm generally is the repetition of patterns regularly occurring in the phenomena and processes. This concept is understood well in music. The regular succession, tempo, repetition, and harmony are the familiar words that have always been heard. However, rhythm is beyond its audio or visual representations, and it has been studied in philosophy, art, sociology, psychology, human and urban geography, urban design, and architecture, showing its polymorphic nature. Explaining a cohesive framework of the aspects that implies the rhythm and provides new interpretations of rhythm are the focus of the current study. Therefore, the present research aims to answer the following questions: A) What are the aspects of rhythm? and B) How are they manifested in the architecture?In reviewing the literature, a chronological view has been adopted to determine the change in the concept of rhythm by experts in various scientific fields until the beginning of a new era of scientific research by Henry Lefebvre. Among the many experts who have conducted researched on the concept of rhythm and its characteristics, the views of four scholars were selected for formulating the theoretical framework. Those experts include Henry Lefebvre, Irwin Altman, Carol M.Werner, and Mattias Kärrholm. The reason for selecting these experts was that they had an interdisciplinary view in studying rhythm and also their fields of studies are related to architecture, culture and build environment. The aspects of rhythm were extracted and classified from these experts’ opinions.The research method was qualitative based on the logical reasoning approach. Data were collected through participant observation and semi-structured interviews with various school users. The research participants were ten permanent staff of the school (as the representative of the different groups of the school users) selected using the purposive sampling method and theoretical saturation criteria. These participants were: manager, human resource manager, staff of the human resource, manager of the cultural affairs, the executive deputy and support, library manager, the authority of the twelfth grade, photography teacher, service sector staff, eleventh-grade student. Analyzing the text of the interviews was done in three steps of Strauss and Corbin’s systematic coding process (open coding, axial coding, and selective coding) using Maxquda 2020, a qualitative statistical analysis software, to extract the activities and repetitive events of the users in the school.Results showed that intrinsic feature of rhythm is spiraling movement, manifested in the form of aspects of succession (accepting change over time), duration (continuation in time), speed (slow and fast), temporal salience (existing of qualitative and distinct moments), synchronization (Simulating the behaviors and movements of the people in social links). The movement concept can be seen in all aspects of rhythm. In Tazkieh school (Tehran City, Iran), Succession is understood by moving through stairs and different spaces in each floor, and also objective of sun movement during the day. However, daylight in school interiors does not have much effect due to the use of thick curtains to solve the problem of hijab. Succession in relation to erosion of surfaces in any building is a gradual change, indicating movement. This succession occurs in all buildings and its speed is inversely related to the quality of materials and their durability. Users' spatial experiences of daily activities and events in the school, religious, and national annual calendar indicate socio-cultural dimension of duration. Physical manifestation of this aspect of duration is in architectural elements, such as decorations, symbols, and architectural style. The instance of speed is defined by activity types occurring in a place and varies time to time. Mental perception of time is related to the rapid or slow occurrence of activities and experiences in a place that are changing over time. Each place, depending on its function, is host to certain activities that are regularly repeated. The example of a place with different speeds is obvious in the School. For example, the speed of classrooms is adjusted and changed by a mechanical clock between a quiet place during teaching and a fast place during break time and art workshops. The lived experiences and memories of school users of activities, events, and their locations in the school emphasize the temporal salience. Teaching behaviors and their repetition by students in social connections, such as events and ceremonies, is a clear example of synchronization.

Today, creativity is an inseparable and essential part of the architectural design process and lies in it. In the architectural design process, in addition to problem surveying, how solve the problem and find a suitable solution to achieve the desired situation is of great importance.It should be noted In order to solve complex and ambiguous issues in the world of design, with creative methods, inevitably mental processes and data processing in the mind should flow.In this regard, one of the strategies that philosophers emphasize the problem creatively is to develop a condition where designers can change their way of thinking.Thus, the primary purpose of this study is to investigate the nature and effectiveness of the attention diversion period, its role, and its place in the process of creative solutions to the architectural problem. So that we want to know in this research what steps do these mental processes take and during which process are creative solutions for problems formed? and the important point is, what is the type of knowledge in this process? Therefore, in this research, we believe that by examining creative processes presented by thinkers, analyzed the problem solving process that we can benefit from in order to achieve creative answers in facing the architectural problem .Since the main question of this research to be effectiveness Attention deviation period It is founded on the achievement of creative ideas and this period in the bed phase Incubation From creative process it takes place, in order to Achieve The purposes of this research, our focus and our purpose, among the phases that play an essential role in the production of creativity, is to investigate the phase Incubation and its achievement in this process.Because it seems possible by creating attention deviation period and benefit of methods, your thoughts consciously on the way unconscious Placed and in the architectural problem solution process, achieve in the architectural problem creative solution.According to what was said In the first step, explanation of attention diversion period is explained by posing two questions:1-How will it be possible for the designer to reach the incubation period in the problem solution process?2-The type of knowledge the designer in what is the incubation period in the problem creative solution process? It is intended to measure and evaluate the effectiveness of the incubation period in order to in the architectural problem creative solution with the design of two hypotheses:1-Create attention diversion period It is effective in the problem solution process.2-There is a difference between the effectiveness of metaphor and analogy in increasing creativity in design products. The nature of this research is applicable in terms of purpose.The research method is a quasi-experimental intervention, a pre-test-post-test design with a control group.In this way, a comparison is made between the groups exposed to the independent variable (attention diversion period) and the group to which the independent variable has not been applied.The tool used in this research is a researcher-made questionnaire. It is worth mentioning in this research, in order to describe and analyze the data first, some descriptive indicators were reported and according to the research method, the most appropriate test was analysis of covariance. In order to use this test, it is necessary to establish assumptions such as the homogeneity of the slope of the regression line, the normality of the model error, and the homogeneity (equality) of the variance of the model error. Finally, the data were analyzed through the covariance analysis and Bonferroni's post hoc statistical test using SPSS 25.The results of the data covariance analysis between the two experimental and control groups indicate a significant and positive effect of the"attention deviation period" in the creative solution process of the architectural problem (F=205.28 and P=0.0001). Also, to check the difference between the two groups, the results of the Bonferroni test show that; Among the intervention strategies, the metaphor strategy has more effective outcomes than the comparison strategy (p=0.0001 and mean difference=9.61).Based on the research findings on the positive effect of attention deviation period; It seems that this kind of intervention method and its strategies can be used to provide creative answers in the face of the current complex and ambiguous problems of architecture in the field of education as well as the profession of architecture.

The Intertextual Reading of Lalehzar Context Based on Event-Space Concept for Improving Its Spatial QualityAbstract: As valuable traditional pieces of the past, historical and cultural contexts are indispensable parts of any society, highlighting the importance of their preservation and restoration. Generally, historic sites carry the bio-codes of generations who left their distinct traces at a point in time. Without a shadow of a doubt, these unique footprints shape the cultural capital of any nation, including memories and mental images of citizens, leading to the basis of their identity. This article aimed to determine the most influential factors in improving the spatial quality of valuable urban context based on the concept of “event-space” through an intertextual reading. The selected area in this study was the Lalehzar context, one of Tehran's oldest historical and cultural streets. Reminiscing with vivid memories from the past citizens, Lalehzar street was a representation of modern life. This is why it consists of a significant number of cinemas, hotels, cafes, boutiques, and markets as modern functional representations, being an appropriate container for various social-cultural events and modern behavior. However, during the last seven decades, this area has lost its identity because of the city development and its negative consequences. Unfortunately, a large part of this historic district has been damaged due to the absence of social and cultural activities and an unfit neighborhood. Many symbolic spaces in Lalehzar have been destroyed or are on the verge of destruction. The place is now mainly used for everyday activities, entirely in contradiction with the physical body of the street in the form of electronics stores, resulting in intensified visual pollution. Given its rich history in Tehran and its exceptional location neighboring Baharestan Square and Toopkhaneh Square, Lalehzar Street has a brilliant capacity to accept new uses befitting its cultural and historical status. In doing so, the spatial quality and its improvement as an area of theoretical study in contemporary architecture were put into consideration, and the research and views of experts like Bentley, Rogers, Bell, and Golkar have been compared and analyzed. Some architects and urban designers believe that current factors are insufficient for the quality improvement of valuable contexts. Considering that the history and backgrounds of buildings are crucial in urban design and quality improvement, the intertextual approach was chosen to reinforce available potential and eliminate disharmonious parts. Intertextuality refers to the various relationships of texts, and intertextual reading allows studying different layers of a text and utilizing hermeneutics, the science of interpretation and change. Meanwhile, what is so important about this area was the events that took place here granted a lively atmosphere, almost equal to its physical representations and history that the built environment historians usually pay attention to. Accordingly, the purpose of this study was to find the hidden dimensions of the effects of event space on spatial quality in Lalehzar through intertextual reading. The main research question was posed as follows: How can we determine the reliable and influential factors in spatial design quality improvement in valuable contexts through intertextual reading? In this qualitative interpretive research, the views of experts in event-space and spatial quality were first studied. To collect the data, in addition to the library resources and documentary research, interviews were conducted with the space users and audiences, whether at the buildings or in their neighborhood. To narrow down the study for accurate results, five landmark event spaces (Grand Hotel, Nasr Theater, Pars Theater, Pars Café, and Alborz Cinema) were selected through purposeful sampling, and they were studied and analyzed over two years. The data were coded via interpretive and content analysis, and eventually, SPSS and MAXQDA were used to analyze the extracting data. The former was used for quantities analysis resulting in a diagram of crucial factors for improving the quality of space based on the theorists’ writings, while the latter was used for creating some graphical coding diagrams for both the conducted research and interviews. The study’s results indicated that space perception, attachment to the natural flow of life (proportion, order, dynamicity), and spatial formation (variety and hierarchy) were the most influential factors in improving the quality of valuable contexts.Keywords: Intertextual Reading; Event-Space; Space quality enhancement; Lalezar; Valuable historical context.

Conversion of conceptual model of perception based on synergy of multisensory landscapes in Kerman traditional bazarAbstract Problem statement: all the information we have about our surrounding world is obtained through our senses. The senses inform us of possible risks and provide us the required information for interpreting the events and predicting the future. Also, it is through senses that we feel the joy and pain and recognize colors. All this information helps us to have more complex phenomena like perception and recognition. In fact, without senses these processes won't happen and we won't be able to use our other mental abilities. In another hand , in the western culture, from historical point of view, vision has been regarded as the most original sensory perception; either in ancient Greece or in Renaissance, with invention of perspective has yet dominated on other human senses. , the architectural experience is multisensory and man doesn't just see the space but smell, hear, touch and even taste it.In his view, all sensory perceptions such as vision have been taken of the tactile sensation and are designated to the skin. All sensory experiences are related to the tactile sensation and this is the body which is located in the center and finally creates a combination of perceptions senses which gives the architecture meaning.Sense perception, due to presence in the space, is the most important factor of perception of the architecture physical identity. Though, often in the contemporary architecture space, the sense of sight is enumerated as the most original factor of sense perception. But, in reality, this superiority of the sense of sight on other senses has caused the audience of the architectural space faces the one-dimensional and superficial perception and doesn’t experience the main principle of interaction with the space, that is the sense of being in the living environment and receives the sense of agitation and identity perception weakness with the architectural space and the joy of presence and sense of attachment to space in the most inexpressive possible state, while in the architectural space like traditional bazars, the sensory richness institutionalized in the space leads to the perception of the physical identity of various spaces of the bazar through creation of conceptual interaction with the audience and synergy of multiple senses. According to this, this study aims to identify the synergy of multisensory landscapes through the approach of sensory landscaping approach. For this purpose, through the evaluation of the audiences' perception of multisensory landscapes in each space of Kerman traditional bazar, it seeks to achieve a clear perception of the nature of synergy of multisensory landscapes based on sensory perception of various physical spaces of the bazar and finally based on recognition of the type and rate of effectiveness of sensory landscapes, investigate the multisensory perception. Research question: How the synergy of multisensory landscapes is shaped in various architectural frameworks of traditional bazar?

Evaluation of the audiences' multisensory perception in any of the spaces of Kerman traditional bazars.پ

In this study, at first by library studies with the aim of identifying multisensory perception, multisensory landscapes are determined and for evaluation of the audiences mental image of multisensory landscapes in the field studies, the instruments of questionnaire, SPSS software, GIS with IDW method is used for analysis of spatial data (UTM). Analytical-descriptive method is utilized for inference of the quality of synergy of multisensory landscapes.

Finally, it is concluded that the audience perception in Kerman traditional bazar is multisensory and its reason is existence of sensory landscapes in Kerman traditional bazar in various sections of the bazar and it is shaped through synergy of these sensory landscapes. This sensory synergy due to five senses shapes the sensory richness in the audience. Then, due to the individual features and environmental factors and focusing on memorability and creation of sense of association, mental image is created in the audience and finally causes the creation of the sense of attachment to the place in the audience and as a result leads to the audience multisensory perception in this place. Keywords: senses, multisensory perception, traditional bazar, sensory landscapes, sensory synergy

With the excessive consumption of energy and its risks, which has become a global concern, paying attention to indigenous technologies becomes more important day by day. In the process of globalization, local cultural diversities have been threatened, and among these, the concern of weakening the roots of diverse identity and especially the cultural differences belonging to rural populations has always been raised as the main challenge of international discussions in recent years. The set of these developments has been the focus of a new look at modern concepts in the field of the concept of heritage as well as museology knowledge. According to what was noticed about the evolutionary process of Eco-museums, this cultural, social and environmental phenomenon can be described as a symbolic evolution in the age of globalization. A phenomenon that initially arose due to economic reasons and then gained strength with government investment and was gradually mixed with popular participation. Further, its protection goals were emphasized and various elements were added to it. Gradually, the communication between sciences found a more prominent role in the management of Eco-museums, and educational goals were also seen in it, which is a sign of the professionalization of the concept of Eco-museums in the thinking of the 20th century. The present study was developed with the aim of explaining the role of the Ecosophical approach in promoting the sustainability of the local heritage of Eco-museums in order to answer these questions: What role does the Ecosophical approach play in promoting the sustainability of the local heritage of Eco-museums? How can eco-museums, considering this approach, while developing some of their environmental capabilities, play a significant role in the field of knowledge and understanding of the traditional space of subcultures? The framework of the research is based on the analysis of the famous French thinker Felix Guattari's point of view in the comparative study of the ecosophy concept in the relationship between the body, environment and human needs as three influencing factors on the quality of body design and based on that, the initial research model is designed. It has been laid out. Then, according to the theoretical foundations of the approaches related to the concept of eco-museum, another model is presented in relation to the interaction of the concept of eco-museum with the approaches of social-cultural Contextualism / social sustainability and architecture inspired by nature, and finally the main model of the research is based on the relationship between the two The first model was formed and their common components were extracted. This research was conducted in a comparative manner and with a qualitative approach with the help of documentary studies, in which the historical-interpretive research method was used in the part of gathering theoretical-historical foundations and the descriptive-analytical research method was used in the context of examining the sample under study (Rural Heritage Museum of Guilan). The statistical population includes all Eco-museums, and the sample population includes those eco-museums that have stylistic affinities in terms of physical and functional similarities. Finally, the analytical model of the research is designed based on the adaptation of Felix Guattari's point of view (about Ecosophy) and the approaches of Contextualism, social sustainability and ecosystem architecture. The results of the research show that there are significant similarities in the comparative comparison of each of the components of Ecosophy in the three levels of mental ecology, social ecology and natural ecology with the approaches examined (including social sustainability, Socio-cultural Contextualism and ecosystem architecture) and these similarities in Eco-museums and Especially the rural heritage museum of Guilan has been manifested in the form of objective, functional and physical similarities. Using new approaches of social sustainability and cultural Contextualism, eco-museums present a new meaning of the words heritage, protection and education to their visitors and subculture. Eco-museums can be considered as a special geographical area where cultural heritage is protected and through people's participation, they try to create a coherent network to introduce the knowledge of the past to the current and future generations. From this point of view, eco-museums are considered as spaces completely dependent on nature, which have rediscovered their form in the course of social developments. Places with real identity that are considered local, national and global capital.

Colors play an important-effective role to improvement of urban identity, readability of environment, vitality of urban spaces, the sense of place and sense of unity in urban spaces. Today, Iran's urban environments are often deprived of the visual richness of color qualities with incoherent and chaotic combinations and incomplete adaptations of different styles of Western architecture and urban planning, and by transforming the environment into backgrounds in the gray spectrum, lost the color diversity and various functions of this element. While many communities turn the color element into an opportunity to enhance the quality of the urban landscape and use standard color codes to visually enhance the visual quality of buildings, walls, floors, urban furniture and other building elements in their components and totality, But in many cities of Iran, the same element acts as a threat to the urban landscape due to confusion, irregularity and inconsistency in how it is used. Lack of proper use of color element and its related criteria in urban environments, in addition to adverse effects on place construction, reduced sensory richness, degraded place identity and legibility of urban space, in terms of disorders in the objective landscape of the city and adverse psychological effects of presence in such spaces it is also very important. A correct understanding of the capabilities of the color element in increasing the desirability of urban environments is a necessity today in the design of Iranian cities. Unfortunately, the fast growth of urbanization in recent decades, especially in developing countries, has dramatically changed urban perspectives, that it caused there is not enough accuracy in the principles of color using.Today's construction of Iranian cities, which is an uncoordinated and chaotic combination of incomplete adaptations of different styles of Western architecture and urban planning, deprives urban environments of the visual richness of color qualities and turns them into backgrounds in the gray spectrum of color diversity and various functions has strongly influenced the important element. While many communities have turned the color into an opportunity to enhance the quality of the urban landscape and use standard color codes to visually enhance the visual quality of buildings, walls, floors, urban furniture and other building elements in their components and totality. They have given that in many cities of Iran, this element acts as a threat to the urban landscape due to confusion, irregularity and inconsistency in how it is used. Proper use of color and its related criteria in urban environments, increase the sensory richness, enhance the identity of the place and legibility of the urban space, in terms of organizing the objective landscape of the city visual quality and positive psychological effects. A correct understanding of the capabilities of the color in increasing the desirability of urban environments is a necessity today in the design of Iranian cities.The purpose of this research is to provide some criteria for optimal utilization of the potential of the color factor to increasing the utility of urban landscape in according to the user’s expectations. The hypothesis is that the adaptation of color spectra used in urban environments on the color expectations and mindsets of space users is effective in improving the quality and desirability of urban landscape. The method of this research is descriptive-analytic based on a survey strategy and the data are analyzed by quantitative method. In addition to, data collection is done by library and field studies. Statistical calculations are presented in three sections: Determination of sample size, Descriptive section and Inferential section separately. Information was evaluated with using the Excel and Spss software and significance level of 0.05. The research findings were obtained through study of the city context, statistical data as well as comparing and analyzing the color codes and using of internal and external experiences. At the end, the hypothesis have been analyzed and some solutions have been presented for color composition of urban image and landscape based on principles of aesthetics. These findings indicate that according to the religious, cultural and historical background and identity of the study area, those color spectrums that are reminiscent of religious symbols of this area and create a sense of belonging and religious identity among users in space, will have higher qualities.

The science of architecture seeks to discover the category of the environment in various buildings and help to harmonize them with their surroundings. This theme is derived from sustainable development in architecture and their pursuit. One of the new methods, which is based on the idea of minimal impact on the environment and the least use of finite energy resources and seeks a new friendship between man and nature, is ecological design, which is familiarity with its design rules for builders based on this approach is essential. Is. Rules of ecological design in the design stage can be associated with architecture and associated in the form of design in different buildings. Multifunctional buildings as a project stimulating functional development affect all dimensions of a neighborhood or area. This research aims to extract and verify the components of ecological design from the language of space users thinkers and researchers, which uses all three tools to collect data. It is a nested application that combines data collection tools in a qualitative approach and is verified and evaluated in a quantitative approach. First, concepts are extracted and categorized through theoretical foundations. Then the research question is extracted and categorized according to the concepts and definitions are taken from the theoretical foundations. Then, the research question by the concepts and definitions derived from theoretical foundations is increased to 7 questions for a semi-open interview. According to the main theme of the article, he visits the multi-functional complex of Mashhad. Data reduction is done in both cases. Has expertise in this field). The results are compared between the two groups using Originpro software. The results show that from the point of view of space users, the most important factor is the components of respect for people, creating volumes with long-term value and design from details to template with the value (1,000) and the least related to paying attention to site values in design with value. (0.211). In the group of participatory observers, the highest factor share is related to harmony with natural ecosystems, functional independence of design, and attention to site values in design with a value of (1,000), and the lowest factor share is related to equality of human rights and nature with value (0.221). Is. According to the results obtained in the findings section, it was found that the results of inferential statistics and descriptive statistics were different from each other, and to apply the results, inferential statistics should be considered. Users pointed to the components of ecological design. In participatory observers, even in the components with the lowest correlation coefficient, its rate is close to 0.5, which indicates a high correlation rate between the components in their responses. This is not true in factor contribution and regression, and in general, the averages obtained for the two groups are close to each other. In the user group, attention to physical aspects and attention to people and the needs of different groups in space as a flexible element over time It has been an ecosystem architecture, but in the group of participatory observers, attention to climate and space has been given priority over other components in the Shandiz multifunctional complex.After reviewing the results of the responses of two groups of observers who have more expertise and users who have less expertise, it is observed that there is little communication between them and due to a lack of understanding of the concept of ecosystem architecture and ecological design, the results obtained from them can not be trusted. It is better to use the results of participatory observers for design and development-stimulating projects. Also, due to the existence of two groups of the population, the results are more accurate and valid. The principles of ecological design and attention to ecosystem architecture with the use of various components have been considered for many years in the process of designing and implementing different types of buildings with uses, educational, residential, commercial, cultural, etc. in developed countries. Their multifunctional buildings have been less studied as a contemporary product in this country. Ecological design can improve the quality of the building in terms of environment, refine and verify the components of ecological design compared to Shandiz's multifunctional building by preserving various ecosystems.

Since the advent of the Industrial Revolution, Iran, relying on its rich history in the field of art, industry, and trade has put the construction of industrial factories throughout Iran on the agenda and in every city and gift, and often according to the common industry in that region. Industrial architecture is one of the important branches and sources of modern architecture. Strives to build one or more chain factories with the capital of the city's elders and businessmen and to attract the participation and capital of the people. In other words, in an action based on community-based participation, the face and landscape of the city were suddenly changed, and factories were accepted as manifestations of modernism and signs of the new age, along with other urban elements. Unfortunately, after the end of the activities of these industrial institutions and their departure from the city, and the abandonment of factories, many of them were destroyed due to a lack of real knowledge of officials and people of the values hidden in this building and lack of attention of responsible experts and specialists. The process that continues and even their inclusion in the list of national monuments has not been very fruitful and can not be considered an obstacle to prevent their destruction. In this regard, in this study, to be able to properly protect and recreate this heritage, to identify the appropriate approach to the protection of this heritage based on the review of approved documents, and also to recognize and understand the tangible and intangible values of this heritage by grounded theory. Was on the agenda. A method based on and extracting data that has been collected and analyzed regularly during the study of scientific sources. Thus, the result of this integrated protection and regeneration that takes place in the light of attention to culture, considering the category of public awareness of the values of this heritage, as an important matter, integrated protection and recreation of this heritage in the shadow of conscious communities. Will play an important role in its continuation.Explaining this, it should be noted that the industrial heritage, especially the factories that are located in the central part of cities today, after the completion of industrialization and turning them into large forgotten areas inside or around historic cities, from the perspective of people and residents, physical places. And an abandoned and polluted function, spaces for committing all kinds of crimes and offenses, and generally devoid of any inherited values. At first glance, these areas are considered unbearable financial ones, even from the point of view of the executive and political powers. This negative view of the audience and the subsequent cases such as the impossibility of visiting this building and consequently the unfamiliarity of the people with different values of this building deprive the people of a sense of attachment and emotion to this building which is one of the most important reasons for protecting industrial works. In this regard, one of the first protection strategies regarding industrial heritage is to eliminate the negative attitude towards them. The endangerment of industrial heritage is also due to this negative mentality and the problems of the economic structure of the old industrial areas; It should be noted, however, that this legacy can be reminiscent of a pioneering spirit, traditions, and the power of innovation, and can be effective in improving public perceptions and creating a positive image, but so far little use has been made of this industrial heritage potential.In such circumstances, the legacy of industrial society can be saved. The first is to make a relentless effort to preserve this heritage in the collective memory of post-industrial generations. This should be done by understanding the value of this heritage after their disability; In meantime, motivating the feeling and strengthening the sense of pride and sense of responsibility for the protection of industrial heritage, both for the audience and for the officials, will be very effective in preserving the values of industrial heritage. Second, to incorporate this heritage into the daily lives, work, and other cultural or service needs of the residents, using the imagination, initiative, and innovation that we will address in the relevant section.