نشریه جامعه شناسی فرهنگ و هنر
سال پنجم شماره 3 (پاییز 1402)

There are many cultural and artistic documents of the natives of Musian culture, people who have lived in parts of the south of ancient Iran before history. Among these, special imaging images on pottery have been discovered from this culture which attracts a lot of attention. What makes these portraits seem to be indicators is the excerbated motifs on those Pottery with human focus. Drawing these experiential and specific motifs cannot be meaningless. The fundamental question here is what meaning, concepts and hidden messages do these images have and convey? Considering this main problem of this study, receiving hidden meaning in these images according to applied visual elements in them. The method of this study was qualitative-analytical and its data were prepared by historical approach and using library tools. The aim of this study was to study the neglected part of visual arts in prehistoric Iranian culture to prove the homogeneity of these figures in one order and with a name based on receiving the hidden meaning of the visual semantics from the belief-social and trans-narrative worldview in prehistoric culture. This important will be achieved by relying on the recognition and recognition of the social-cultural biology of prehistoric peoples and its generalization to the visual elements of the images of Musian culture.

Today, Islamic architecture manifests and evokes a kind of attitude towards the world of existence, which illuminates the intellectual and structural power of man. This article tries to define excellence, culture, Islamic architecture and the teachings of Islam and the capacities of each and how they interact with each other from the perspective of Islam (based on the teachings of Islam), the relationship between them with a practical model in the field of Islamic architecture. and present a definition of Islamic architecture based on the exaltation of human cultural values. The research method is descriptive-analytical-fundamental logical reasoning. Logical inference proves that proper Islamic architecture can have capabilities corresponding to the levels of human existence and existence, and it helps people to find a proper understanding of the levels of the universe by using the values of human cultural excellence. According to the concepts, meanings and symbols of Islamic architecture and human excellence in religious teachings and the principles and rules of Islam in architecture, it can be concluded that the architectural features that influence human excellence are classified into six groups: the source of perfection and the path to God, avoidance of futility Harim, faith in God and Prophets, adornment and avoiding boasting and proper status; Each category takes advantage of its specific Islamic architectural features: multiplicity to unity and unity to multiplicity, dome, minaret, altar, avoidance of futility, hierarchy and introversion, light and centrality, sun, color and inscription, hierarchy and rhythm. And they are influenced and influenced by repetition.

The purpose of this research, which was carried out with interpretive-historical method, is to investigate the effect of the owners' living conditions on the brick decorations of the interior courtyards of Qajar houses in Tabriz. To achieve this goal, an attempt was made to answer a question with this theme: What is the relationship between the form and geometry of brickwork decorations and the economic level of people's lives? By dividing the houses into two spectrums related to the affluent and normal strata, with field observations, the brick decorations - the view of their inner courtyards were investigated from the two perspectives of execution form and general geometry, and then the ratio between these decorations and the livelihood level of the owners was investigated. According to the findings of the research, from the point of view of the implementation form; Repetitive patterns have been among the common patterns between both strata. Expanded patterns are only specific to the affluent stratum of the statistical society, and single patterns and multiple patterns are also often used in the houses of the affluent stratum. from the dimension of geometric form; Also, some specific geometric patterns are common between both layers and some patterns clearly belong to a specific layer.

In many societies, extra-marital relationships are strongly stigmatized and have become one of the most important issues among couples. This article aimed to investigate attitudes married women toward extramarital relationships, which tries to explain this issue by social learning theory. This study was conducted using the survey method among 80 married women of Babol city which examined their attitudes toward extra-marital relationships through a self-administered questionnaire. They were selected by non-random sampling method (snowball). The findings indicate that there is a significant relationship among three variables (differential association, differential reinforcement, and imitation) from social learning theory with the attitude towards extramarital relationships and all its dimensions.The results of multiple regression analysis show that the independent variable of the reward has the most predictability on the dependent variable. In general, the results confirm the propositions related to the social learning theory and show that the attitude to extramarital relationship increases under the influence of rewards, punishments and imitation from the media is strengthened and its repeatability increases. According to social learning theory, both overt behavior and cognitive definitions related to extramarital relationship are created with two dimensions of differential reinforcement and imitation, both of which function discriminative stimuli for the behavior.

 The aim of this study was to investigate the cultural and social factors affecting the process of sustainable withdrawal from the perspective of addiction experts. The present research method is quantitative and the research tool is a questionnaire. The technique used in the present study is the Dimatel technique, According to this technique, based on pairwise comparisons, by using the opinions of experts in extracting the factors in the system, systematically structuring them and applying the principles of graph theory, a hierarchical structure of the factors in the system with relationships Provides interaction and mutual influence of the mentioned elements. In order to quantify the effect of the mentioned relationships, the statistical population consisted of 13 specialists and experts in the field of addiction who had mainly studied and had expertise on addiction and its permanent withdrawal. The results showed that the most influential variables are related to the variables of persistent addiction, socio-economic status and group of friends, respectively. Also, the variables that had the greatest effect on quitting addiction are mental health with 1.57, abnormality with 0.1, religiosity with 0.882 and social control with group of friends with 0.658, respectively. Have had an impact on the process of quitting addiction.

According to the epistemological foundation of Iranshahri political thought, establishing court order was a necessary principle. For the realization of Shah Farahmand, it was necessary to separate the forces of the army, religion, and court and to bring them into order by the minister. But the influence of these forces, especially during the crisis of succession, was always a factor in disrupting the order of the court. One of the challenges of the ministry was maintaining the balance of power. But with the arrival of Turkish and Mongolian traditions and the presence of court ladies, their power to interfere in court affairs created a critical condition for the continuation of Iranshahri political thought. The actions of the ministers in the face of the crisis, the involvement of women was necessary and due to the importance of the Indraznameh method, it led to the emergence of numerous literary and artistic works.During the reign of Sultan Hossein Baiqara, this crisis also occurred and was effective in the collapse of the Timurid dynasty. Due to the necessity of facing this crisis, many edicts were created to make the Sultan understand. The publication of Yusuf and Zuleikha by Kamaluddin Behzad was considered important and necessary, considering the importance of this story in the tradition of writing and considering the necessity of using aesthetic qualities to draw the Sultan's attention to this crisis. Analytical-descriptive and historical research method and library information collection.

One of the most important problems and challenges of women in the least developed regions is related to the limitation of their cultural activities. Among the cultural activities, music activity has been the biggest one in Iran, especially among more traditional locals such as Brozjan. Moreover, this activity has lees being studied based on a sociological point of view and qualitative methodology. Thus, this research has studied the women, s musical activities in Brozjan by using of grounded theory method as a qualitative methodology. The Participants have been women who participate in music classes in the city of Brozjan. The method of sampling was non-random, and theoretical with maximum divers one. Necessary data were collected by using deep unstructured face-to-face interviews. The collected data was analyzed with aid of three phrasal coding of open, axial, and selective coding processes of Strauss and Corbin. Based on the analysis of data, the music activity of these women can be categorized and analyzed under 9 categories including the hegemonic patriarch of music space; infrastructural limitations; economic dimensions; professionalization and gradual growth of music; gender socialization; music and dualisms of private-public space; practical- a verbal challenge for women, s music recognition; cultural and social contexts of music activity and non-activity of women; individual, social, and cultural consequences of women,s music activities.

As a historical and cultural geographical unit, the old Tabaristan region was one of the centers of weaving and production of Tabari carpets, which has received less attention. Written historical sources directly or indirectly contain valuable information and documents to identify the neglected parts of the famous weavings of Tabaristan. The purpose of this research is to explain the condition of Tabari weavings and its dimensions by collecting and examining the information available in historical sources. Based on library sources and with descriptive and analytical methods, this article has collected and analyzed the available documents in the field of Tabaristan weavings in historical compilations and reports of foreign tourists. The findings of the research show that there is a long history in the silk production industry and its export, the weaving industry and Tabari carpet, and it goes back to before the arrival of Islam in the area of Tabaristan, the textile industries of Tabaristan are in a competitive position with the important weaving centers in It was the early centuries of Hijri and Tabari weavings, in addition to being used in political interactions, have played an important role in the economy of Tabaristan. The multitude of productions of all kinds of fibers, textiles and weavings of Tabari shows the existence of numerous weaving and dyeing workhouse throughout the region of Tabaristan and probably the reason for economic growth based on trade and commerce.

The refugees of Russian Azerbaijan were among the most suffering group among the refugees of the Caucasus. They are among the communities that were neglected by researchers. These refugees played a significant role in the formation of contemporary Iranian sculpture and painting. By conducting a fundamental research, the authors have investigated the effects of Azerbaijani refugee artists on contemporary Iranian sculpting and painting and the influence of Iran's socio-cultural contexts on their works. This article has analyzed five works and the biography of the famous Azerbaijani refugee artist with the method of cultural semiotics. The authors have investigated these texts by using the concepts of text, cultural trauma, semoisphere, identity and stranger sociological form. In this research, the introduction of Azerbaijani refugee artists and their position in the creation and stabilization of modern art in Iran was discussed. A total of 136 symbols have been extracted in the study of texts. The authors of three codes of nostalgia of Iran and tradition, difficult life and identity crisis in these works. The loss and loyalty to the elements of the national culture (textuality) of the products has been one of the mechanisms of rejection and attraction of the Iranian text for the refugees. With the semiotics of these texts, the identity framework of Azerbaijani refugees was found in the semoisphere contemporary Iranian art. They faced the social amnesia of Iran's art community despite their prominent works in urban art and their contribution to the education of sculpture.

This research was conducted with the aim of sociological study of the factors affecting social participation in the cities of Javanroud and Ravansar. In this research, we want to know the level of social participation of the citizens of Javanroud and Ravansar cities and examine and test the factors affecting social participation to determine what factors have influenced the reduction of social participation? The theoretical framework of this research is taken from the opinions of experts of the old school of modernization, such as Lerner and Rogers, etc. The research method was a survey and the research tool was a questionnaire. The statistical population of the research was all citizens over 18 years old living in the counties of Javanroud and Ravansar. The sample size was 384 people who were selected by multi-stage cluster sampling method. The findings of the research indicate the average level of social participation in the counties of Javanroud and Ravansar, and there is a significant relationship between the independent variables (fatalism, education, age and gender) and the dependent variable (social participation). There is no significant relationship between social class variable and social participation. The results of the regression analysis showed that the value of the multiple correlation coefficient is 0.393 and the independent variables explain 14.6% of the changes in the dependent variable, And among the factors affecting social participation, only the variables of age and fatalism have been effective respectively. The results showed that fatalism is the driver of social participation.