نشریه مطالعات ادبیات تطبیقی
پیاپی 30 (تابستان 1393)

In discussions of literary tradition and modernism in the arts and literature is one of the main issues. Especially in the transitional period of their communities، the hardest، yet most technical problem; Especially the link between tradition and modernity. With the advent of modern poetry in Persian literature clearly prominent figures in the field of modernization became one of the most prominent faces Ebtehaj (H. alf. sayh) was. Poet who can be said to create a strong alliance between tradition and modernism has the link can see it clearly in his poems. This study investigated the effects of traditionalism and modernism Ebtehaj poetry in his poems، and how to link these addresses two distinct categories; And indicate that H. Ebtehaj not opposed to tradition and not against modernity، but the link between them، no effort is spared.

Since 1920 decade، psychoanalytic critique، has been a wide style of psychological critique whose assumption founded by Zigmond Freud (founder of psychoanalytic school). In stating psychological revolutions، structure offered by Freud had three prominent roles: id، Ego and super ego. These three create personality structure classes of each person and with regard to precise research in each of them، one can find the person individuality and mind in each moment. Molana’s thoughts effect on Masnavi style، is very similar to the effect that Hanry Bregson’s philosophy and his ideas on time has have on present century writing novel current and emevging mind fluid current style. Dialectic and Paradoxical currents of consciossness and uncoensciosness in Maulana''s story – telling path، caused to pass him from three psychological steps and survive a track of this passing in Masnavi stories. In this article، it is tried to show how and why he passes from id to ego and super ego in Ayaz and his having shop to Charoq story.

Asceticism and contents related to it have always been the center of attention for poets and writers in Persian and Arabic literature. Abolatahiye، the prominent Arab poet، is one of the pioneers in this field. In the Persian poetry Khaghanee is in the course of enrichment of asceticism and research poetry that before him poets such Kasaee، Roodaki، Sanaee etc. had the experience of using it which finally Sanaee took it to the highest point. The existence of common asceticism consents caused that the poetry of Khaghanee and Abolatahiye brings under investigation and comparison. Furthermore، the affiliation of these two poets to the royal court، their interest for attracting readers and their imprisonment for a short time are some of the common points of these two poets. Material world and subjects related to it avoidance of greediness، avidity، avarice، recommendation for contentment، death and contents related to it are subjects that have studied in this research paper. The result of this investigation showed that، on the one hand both poets have their own special views، although; khaghanee has different views toward the word in compare with abolatahiye and the death in Abolatahiye''s poetry is more prominent. On the other hand، the common points in the verses of these two poets are more than the differences which originates from their Iranian and Arabic culture as well as koranic verses and hadithes.

The culture and customs of Iranians reached the European countries by The Christian Missionaries Who went back home after Visiting Iran in 11th and 12th centuries. Itinerant who had come to Iran complied their itineraries white coming back home. They introduced Iranian culture and spiritual heritage. Meanwhile، Orientalism was to be gradually formed. In the caose of The time easter institutes stabled and had an effective roll in Iranology. In the end of 17th century and in the beginning of 18th century Europeans considered Iranian literature. For the first time Saadi was introduced and poets like Lafontaine، De sence، Voltair، Le Bailly were inspired by him. Khayyam Rubaaiats Translated perfectly by Edward Fitz Gerald، Nicolas and the others like Jean Lahor، goutier were inspired as well. Ferdoussy was introduced by Champion، Atkinson and Jules Mohl to Europeans. A Famous Writer as Matihew Arnold wrote a story named Sohrab and Rostam inspiring by Shahnameh.

After World War II، Japan was slowly coming out of political، social and economical isolation and situation in Japan was provided for the growing field of comparative literature. As a result of Japanese’s researchers desire to adapt to modern scholars، the French School of Comparative Literature was welcomed by them. Comparative literature was founded in 1948 and its first issue was published in 1958. Courses in literature، social sciences and humanities in most if not all national and private universities are hold from international and intercultural perspective، although private universities are more active than national. In 2002، international agreements between foreign universities outside of Japan were signed with Japanese universities inside to promote those subjects. The number of foreign masters was increased in the Japanese’s universes. Although Japan is not a world leader in the field of literary theory and comparative literature، but it has some of the world''s literary theory in its literature while preserving the traditions and culture of its own. Some aspect of its literature and culture has been introduced to the world in the form of world''s literary theory.

Morphological analysis is a central technique in structural criticism. In this analysis، the critic seeks to discover relationships among the structural constituents of a tale. It was first introduced into literary criticism by Vladimir Prop under the influence of Ferdinand de Saussure’s structural linguistics. Prop based his work on the actions of the characters in fairy tales and، after analyzing these actions and their functions، he found out that all the tales follow similar structures which can be generalized to explain the tales of various peoples over the world. Such analysis reveals that the characters of different tales، regardless of apparent differences، have constant specific functions according to their role in the tale. The present paper is an attempt at the structural analysis of the tale of “Jamshid and the Sun”، which is one of the most successful lyric tales of Persian literature، and at the study of the functions and their order in each role to determine the degree to which to these functions conform to the roles and self-actions in the story.

From the beginning of Persian poetry، due to familiarity with the Muslims and recite the Holy Qur''an and Qur''anic injunctions; effect Koran in Vasar poetry writers directly and indirectly in various ways; allegorical; adaptation and can be seen pointing. Context in which poets and writers of the fourth and fifth sections will exceed the height of NasserKhosrow This influence is apparent in the works. Expressions of verses used in poems Nasserkhosrow also saw examples are studied makes and practice the precepts it poems Court has to consider. And believes that the Quran should look inward preferred.

This research is conducted with the purpose of citation assessment and analysis of comparative literature journal during 2007-2013. The results show that this journal within the years under study (7 years)، published 262 articles in 28 issues. The collaboration of researchers shows that within these seven years 51. 15% of articles had just one author. In other words، in the first four years، the scientific collaboration of authors had been weak and the majority of articles were single-authored ones. However، over the last three years authors have tended towards collaborative writing and coauthoring. This research shows that Mehdi Momtahen with 22 articles is introduced as the most prolific author. Also Islamic azad university of Jiroft branch with 46 articles is ranked as the most prolific university. Books form 90% of research sources of the authors of this journal and about 71% of research sources of this journal has been in Persian language.