Deconstruction in Allusions applied in Hossein Monzavi's Sonnets

Hossein Monzavi, is one of the outstanding, contemporary sonneteers and of basic innovators of today’s sonnet. Regarding his dominance over ancient Persian literature and knowledge of different Iranian and non-Iranian myths, Monzavi’s poetry is the exhibition of epic, spiritual and religiousallusions. He, by using of differentallusions, has made his own words deep, effective, multi-meaningful and deployed. The main aim of this research, by considering to necessity of analysis of methods and devices of making the word Deep and effective; and enlarging thought, meaning and culture, to more and better understanding of his Poems and role of this factors to Literary pleasure of his poems, is studying and analysis of Monzavi’s Poetic Deconstructions and interpretations of allusions based of principals of Deconstruction school, in a Text analysis and description method. Monzavi, deconstructs the allusions in numerous and sometimes repeated cases and presents artistic images using some devices such as subtracting meaning and adding meaning, changing the plot, reversing the binary oppositions, combining the myths, etc.