critical study of Bedin shirin sokhan goftan
Author(s):
Abstract:
Up until now several commentaries and explanatory accounts have been made of Sadis ghazals (lyrics) the most important of them being Sharh-e Ghazliyat-e ostad-e sokhan sadi-e Shirazi, by Khalil Khatib Rahbar; Gozideh-ye ghazaliyat-e Sadi, by Hasan Anvari; Sharh-e ghazalha-ye Sadi, by Mohammad Reza Barzgar and Tooraj Aqdaei; and Ghazaliyat-e Sadi, by Farah Niyazkar.
The Sokhan Publishers has of late brought, in its Of Persian literature heritage series, an anthology of Sadis ghazals selected by Mohammad Jafar Yahaqqi together with notes and glosses, entitled Bedin shirin sokhan goftan (Singing [poetry] as sweet as this). The ghazals are taken from Gholam-Hoseyn Yusofis edition of Sadis lyrics.
In the present article, after giving a brief description of the book, its comments and glosses will be discussed. Based on evidence and textual proofs, attempts have been made to present remarks regarding the commentators lapses followed by clearer interpretation of the meanings of the verses in question.
The Sokhan Publishers has of late brought, in its Of Persian literature heritage series, an anthology of Sadis ghazals selected by Mohammad Jafar Yahaqqi together with notes and glosses, entitled Bedin shirin sokhan goftan (Singing [poetry] as sweet as this). The ghazals are taken from Gholam-Hoseyn Yusofis edition of Sadis lyrics.
In the present article, after giving a brief description of the book, its comments and glosses will be discussed. Based on evidence and textual proofs, attempts have been made to present remarks regarding the commentators lapses followed by clearer interpretation of the meanings of the verses in question.
Language:
Persian
Published:
Mirror of Heritage, Volume:14 Issue: 1, 2016
Page:
317
magiran.com/p1603180
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