Semiotics and Characteristics of the Emergence of Imam Mahdi in Mahdavi Poetry (Comparative analysis and Syed Haider Mohammed bin Hossam Khoosf solution) M vertical

Mahdavi's lyric poetry is a subsidiary of poetry of the virtues, and enjoys a special status in the realm of ritual poetry with its wide range. Recognizing the semiotics and characteristics of the emergence of Imam Mahdi and how it is reflected in this kind of poetry as well as its relevance and impact on this type of poetry, requires a particular exercise. Most Shiite poets had paid attention to Mahdavi poetry in their work and have used these poems with special effects and manifestation of their own artwork. Muhammad ben Husam Khoosfi and Seyyed Haider Helli are two well known poets in Mahdavi poetry from Persian literature and Arabic literature. This paper is a report of comparative research seeking what motivated these two poets on the Mahdavi poetry, as well as how the signs of appearance and characteristics of Imam have been used in this type of poetry. The results of the study show similarities and at the same time, considerable differences between the approach of these two poets towards Mahdavi poetry. Khoosfi, mostly emphasizes on the semiotics of Presence, especially the spread of injustice before emergence, but Haider Helli, features the governing style of Mahdi, particularly focused on devastating the oppressors. The method employed in this research is descriptive and comparative.