Parvāz or Parvār? A Contemlation on Khāghāni's Poetry

Although some corrections have already been made to Khāghāni Shirwani's Divan and many researches have been accomplished to know this famous poet and the other works about him, many verses can be found in his Divan that might be semantically disturbed and their rhetorical and literary values have been completely eliminated due to a mistake in recording or editing. Correcting Khāghāni's works on the basis of his own works seem being one of the criteria and methods can be used today in correcting his poems. The general editing of Parvār in to Parvāz, occurred in some of his divan's verses, Tohfat al-Aerfin and Munshaat have been analyzed and corrected and it has been tried to suggest some new corrections based on other verses and similar themes in the of Khāghāni and other persian poets