The aesthetics of the use of women and love in the poetry of Adonis between Sufi and Surrealist views (Case Study: lover Transformationspoety)

Contemporary Arab poets turned to use Sufism in their poetry and mixed it with Modern literary trends. This approach, which is a kind of return to the past, has emerged in Adunis’s poetry. This study attempts to study two common principles between Sufism and Surrealism: love and women in "lover Transformations " poety By implementing the descriptive-analytical method. In it, Adunis puts emphasize on woman and love as two common elements in Surrealism and Sufism; in such a way that a woman sometimes acts as a creator and sometimes a creature, sometimes is external, and sometimes inward. Love is one of the ways that the beloved/mystic is Combines with the beloved/God/Absolute. This combination in Sufism is called "pantheism" and in surrealism as " Top place” Where customary differences melt into the coalition. The poet, through the employment of love and women in this poem seeks to change the prevailing views rooted in Arab and Islamic societies. The poet does not regard women as a marginal element, but Woman is the fundamental element of the universe and creation and is capable of creating and replacing God / Absolute in the mystical and unknown perspective in the Surrealism. Love is also the key to reaching everlasting life, and man and woman can remain in the The eternal world after they have tasted the love that is the key to Recognition. Man can reach absolute through the love of women and Woman is a way to know hisself.