Zohuri Torshizi’s “Seh Nasr” and Its Position in

Zohuri Torshizi is one of the pioneers of the Indian style who lived in the blossoming times of this style and along with such poets as Orfi, Naziri, Taleb Amoli, Saeb Tabrizi and Bidel Dehlavi are from the great Indian style masters. His works have a lofty position in poetry and prose and has kept its value until our times, especially in India and Pakistan. "She Nasr" (Three Prose) is one of those works that is mentioned in most of the dictionaries, and is acceptable as Saghinameh, but it is anonymous and does not have a position like Shaghinameh and today few know it. The present paper reviews research on the text of "Three Prose" that it is based on five manuscripts and a copy of the lithograph and the quality of imagery has been studied in it. The purpose of this article is to determine the place and value of “Seh Nasr” through the artistic criteria of the same period and before it. Zohuri Torshizi’s “Seh Nasr” has in itself all Indian style standards as one of the Hindi style masterpieces which was accepted by the poets and literati of that period and besides, it has beautiful styles of speech used especially in Sa'di Golestan. These coordinates reveal the need for a wider examination of Hindu style works, in addition to determining the value of "She Nasr".