Comparison of Two Histories of Elahi-Nameh by Farīd ud-Dīn Attār and One Thousand and One Nights According to Lyric Structure and the Impressionability of Mystic Literature from Folk Literature.

Each nation has its origins in the manifestation of the beliefs and customs of its people. Literature is the mirror par excellence of each nation's past. The history of each nation or people is not discontinuous and, if a message of a text of folk literature is related to its historical realities, it will always be transmitted over time to the following periods and will be periodically reconstructed. One Thousand and One Nights- the prototype of world’s tale- has been always a remarkable source in folk literature. Throughout the history and over time, these stories have been emerged under diverse meanings and shapes. Farīd ud-Dīn Attār, the mystic poet- has taken the advantages of folk literature in order to express mystic thoughts. The existence of common signs and points as well as formal and content aspects of these tales show the inter-textual relations of both histories. It is possible to describe structural pattern of these stories by investigating their lyric structure. According to their theme, stories have different content (epic, romantic and mystic). In this research, the authors have compared two histories from Elahi-Nāmeh and One Thousand and One Nights according to Gérard Genette theoretical framework and inter textual relation by insisting on the their impressionability from folk literature.