Semiotic Title in the Poetry of Mohammed Afifi Matar; a Study in the Functions and Levels

The semiotic science was given great care of the title as an open threshold that determined the identity of the text, its production method, and its intuitive and intriguing content that could be derived from its superficial and profound implications. This title, for its important functions and levels of poetic poetry, transcends and oversees the poetic text in a single form, composition or phrases with coherent parts to preserve its unity, contribute to the appearance of its theme, define its vision and symbolize its significance. The functions and thresholds of the title threshold are activated in the poetry of Mohammed Afifi Matar. This study attempts to follow the most important functions of the title and its common toxicity levels in his poetry. The overall result of which is that the poet makes most of his concentration in the assignment of the main and sub-sections on a unit and a series alternately in form, and seeks to take into account this proportionality in many aspects with its texts, both verbally and verbally, but what is important in achieving the object is the way it reaches the content More than the content; the poet wants the method of Ennizha Beni Annawin and refused the hierarchy in order to achieve the function of the Greek.