Structural analysis of two stories from Hamadani's exclamation based on Todorov's narrative model

Storytelling has been one of the most important methods among the Sufis. In addition to the Sufis, ancient writers have always used the narrative to spread their thoughts. Mohammad bin Mahmoud Hamedani, one of the writers of the sixth century AH, the author of the book ‘Wonderfulness of Almighty and Greeb al-Muwadjut’ or ‘Wonderland’, has used narration to express his intentions. In order to find a way of writing and analyzing two stories about the anecdotes of this work, this article uses the methodology of Todorov's constructivism. One of the main components of the critique of a story in the Todorov’s narrative model is its purification and one of the most effective functioning factors is the systematic cohesion of this network. The fundamental issue of the present article, which the authors seek to achieve, is to examine and analyze the extent and the way in which the element ‘Pīrfet’ is used in the structure of Hamedani's stories. In this regard, the main body of the article is a brief recognition of Todorov's narrative model, based on the knowledge of the narrative and the analysis of this effective element in the design of two tales of Hamadani's exclamation. The methodology used in this study is to read two stories and to analyze the structure of their designs based on the model. The overall results showed that, based on the actions, propositions, and logical trajectory of the events of the anecdotes, the plot and the network of the anecdotes, and the event of this simple work are tailored to the personality of the anecdotes and corresponds to the structure of Todorov in the syntax of the story. It can be said that in the narrative of both stories, there is a coherent structure that begins with a balanced and stable situation and, in the middle, with the interactions of the characters, it causes an imbalance, and then the anecdote reaches its climax. In the end, after the passing of events, a new stable condition is formed and the fate of the characters of the anecdotes is determined.