Investigating the structure of derivative compositions of talib Amoli poetry from the perspective linguistic stylistics

 Taleb Amoli is one of the greatest speakers of the eleventh century AH which has played a significant role in the development of Indian style. The most respected researchers are on the aspect of imagination and the theme of his poetry. In the meantime, less emphasis is placed on the structure and linguistic aspects of his poetry, in particular the art of composing. In this essay, he addresses this aspect of his language. One of the most important elements in the style of poetry is the linguitic strueture of the poem one of the tools that talib has used in has poetic lingustic stracture is highligting.Taleb has made the most of this principle in order to combine it And most of his compositions follow the principle of the audience. Compositions derived from the Amolite Tribunal have been reviewed and analyzed under titles such as combinations of compounds, pseudo-combinations, compound and compound adjectives, compound formulations and compounds. Finally, the main point of the article is that Amoli's Taleb has entered countless combinations in the Persian vocabulary range. Many of these compounds are eye-catching and delicate, and the separation from being distracted gives a fresh look to the language of his poem. Taleb's performance has led these derived combinations to take place in a suitable position that enhances both the formal value of the word and the meaning of its word. Therefore, it can be said that the dominant language of the Taleb Amoli, the combination and the necessity of special interest in these compounds is obvious.