The harmony of Content of the inscription with its location in Islamic architecture (camparetive study Madrese khan with Moshir-almolk and Nasir-almolk masques)

In Islamic architecture, artifacts based on inscriptions on levels, without any artistic and aesthetic issues, are full of spiritual and mystical concepts in the form of rituals and religious claims. The purpose of the present research is to identify the relation between architectural space and inscriptions of inscriptions. To find logical reasons for choosing and using the verses in the inscriptions in relation to their place of use. In this regard, the Khan school and Moshir al-Mulk and Nasir al-Malek mosques, all located in Shiraz, have been associated with two long periods of official Shiite religious rule in Iran, and are known for architectural decoration from an artistic and beauty perspective, as examples of studying. Have been studied in order to find the most important question of the research on the nature of the relationship between the contents of the inscriptions with the shape and the architectural space and, on this basis, presents a pattern of linking the contents of the inscriptions to the architecture of the building. In the research process, in order to achieve the desired goals, field studies have been used to document and read the texts and the contents of the inscriptions in the buildings, and a descriptive-analytical method has been used to introduce, categorize and find their comparative relations. The results of this research show that the rotation of the inscriptions according to the religious and spiritual themes is as found in the body of verses in the themes of the morning blessing, God, paradise, man, and resurrection, and at the same time with rising and dying The sun is the theme of the verses in the converted eastern and western bodies, as well as the process of human excellence and the movement towards paradise, beautifully illustrated in this artistic turn of the inscriptions. .