A Comparative Study of Perception in novel of Joyce's "Dublinians" and Sadegh Hedayat's "Zendeh Begour"
The theory of perception is based on the assumption that the audience, itself, produces meaning. In this theory, each audience, based on their social, historical situation and mental experience, has an understanding of the text, which raises his perception, understanding and expectation of what is, and he is no longer the audience before reading the text. One of the writing methods of James Joyce (1882-1941) and Sadegh Hedayat (1902-1951) is to use the elements of the theory of perception. They have been able to engage readers well with the text. The main purpose of this article is to find examples of elements of perception theory (open space, open end, unexpected end, uncertain chains, reference to parts of another text, writing based on cultural context and question design) that has been conducted using descriptive-analytical method and library research method. The authors of the article intend to investigate and explain methods of Hedayat and Joyce's use of the theory of perception by providing examples from the stories of the book "Dublinians" and the collection of stories "Zandeh Begour".
- حق عضویت دریافتی صرف حمایت از نشریات عضو و نگهداری، تکمیل و توسعه مگیران میشود.
- پرداخت حق اشتراک و دانلود مقالات اجازه بازنشر آن در سایر رسانههای چاپی و دیجیتال را به کاربر نمیدهد.