Investigating and Analyzing the Principles of Interpretivism in the Heritage of Literary Criticism of Poornamdarian

In this article, the critical works of Poornamdarian are analyzed and read with a philosophical hermeneutics approach. The question is whether hermeneutic philosophy has been the basis for the interpretation of literary works in this author's critical works. And if so, what hermeneutic concepts and themes form the basis of his work? Hermeneutic philosophy has penetrated in literary criticism with many of its themes and concepts. It seems that Poornamdarian has also used many of these concepts in his works, and many of the manifestations and ideas derived from this philosophy have been the basis of his works in the critique and analysis of literary works. The titles and layers of this article that are influenced by these concepts are: interpretation, semantic pluralism, symbol and allegory, demythologization in symbolic texts, deconstruction, grammatology, author death theory, intertextuality, ambiguity and Meaninglessness (ambiguity), apostrophe and Multifaceted, deconstructive and Multifaceted connection with didactic and theological poetry, Multifaceted and social commitment in poetry and literature. In his critical works, he has sometimes directly analyzed and studied these issues, and sometimes, as a special approach, he has so absorbed and digested and absorbed them in his works that he has appropriated them as a discourse.