A Study of the Linguistic Aspects of the Transcendental Signified in Kafka's The Palace with Focus on Walter Benjamin's Language Levels

While the study of the concept of transcendental signified is at the core of philosophical studies; its strengths are often applied in linguistics and literature.
The present paper examines Walter Benjaminchr('39')s linguistic approach to the subject of transcendental signified in Kafkachr('39')s The Palace. Because of its high capacity for learning and discovering a sequence of transcendental signified in its key elements, this novel was selected. Martin Heidegger, and especially his successor Jacques Derrida, tried to use the concept of transcendental signified to criticize the tradition of metaphysical thinking. However, the aim of this research is to use content analysis to explore how such a method is present in Walter Benjaminchr('39')s thoughts and his popular principle of three layers of language, without specifically using the word transcendental signified. The same level of meaning development that is both feasible and unlikely is found at the third level of language, which Benjamin refers to as the "arena of nonsense."In Kafkachr('39')s The Palace, Benjaminchr('39')s argument, which is associated with Derridachr('39')s rejection of the existence of transcendental signified, has been put to practical use. Finally, the paper concludes that the relationship between explicitness and ambiguity in the three key elements of a story, namely the character "K," "Palace," and also the job of “Surveyor," reveal the impossibility of transcendental signified, and represent the third level of Benjamin’s language.