The evolution of feudalism with the help of the White Revolution in Iranian cinema

In the Iranian cinema showed countless productions, and despite all the ups and downs that Iranian society went through, had certain prosperity. Cinematographers chose different subjects to depict and attract the audience that reaching their lovers and gaining wealth were considered important components for the success and audience acceptance of a film. In addition to these issues, in this decade, some cinematographers tried to portray part of the oppression of the lord-serf system in Iran. This happened while land reforms were carried out from the beginning of this decade to solve the problems of the subjects and free them from that unjust system. It must be acknowledged that in addition to showing the real face of Arbab (Master), Khan (Lord) and Khanzadeh (their children) in some films, a positive view of the wealthy urban class (bourgeois and newly arrived) and the working class was also presented. The main question of the present research was organized as follows: What effect did land reforms have on Iranian cinema? Therefore, the historical research method with the approach of description and analysis was placed in the order of the research. to analyze this important concern by examining and analyzing some important films of this period.