Analysis of organism in biology and aesthetics of biomimetic architecture from the point of view of Friedrich Wilhelm Joseph von Schelling

In the knowledge of biomimetic architecture, scientists are challenged with interdisciplinary exchanges of knowledge and concepts that include practical principles in complex systems of living organisms, buildings, and cybernetics; the concept that is used in biology as well as in architecture and engineering is the concept of "organism". Despite showing the primary hierarchical level at which morphological form and function interact, the individual organism as a functional unit has been increasingly neglected in modern biology, a similar trend in contemporary modern architecture. The world is recognizable. This article raises the question of how the term organism and its function in architectural discourse can be understood and used as a single concept in interdisciplinary biomimetic research. Research findings show that while in biology, organism is a well-defined concept to show the structure of living organisms; in the concept of architecture, it acts as a model or "topos", that is, a common semantic form that is mostly acceptable, but still has no clear application in architectural and morphological decisions. Meanwhile, the main focus is on the use of organism in the discourse of German romantic architecture and Hegelian aesthetics of architecture in architectural designs, and it is clear that the scientific term organism can be a model for designing contemporary buildings be considered.