Analysis Of The Identification Process Of The Dominant Social Actor In Shazaya Firouz's Novel Based On Castells' Theory

The semantic networks of each discourse are formed based on the identity meanings of actors who, relying on their power, can have the greatest impact on other actors in the society. Based on this principle, Castells has divided the types of identity into three categories: identity of program maker, identity of legitimacy and identity of resistance. In order to explain the functional characteristics of the dominant actor in Shazaya Firouz's novel, this research has investigated the process of identity formation in this story. Shifting the meaning of the two concepts of "sin" and "homeland", turning the meaning of the concept of "blasphemy" and expanding the range of its semantic inclusion to all different ideas, forging the identity of the central government by relying on the concept of Caliph and calling him Amir al-Mu'minin, creating an apocalyptic environment using technologies The novel, which Castells sees as a way to create a network society based on communication nodes and not hierarchical systems, is one of the strategies that the main actor of the novel (ISIS) has used for the process of identity formation, and many of them distance Isis from the concept of resistance identity. . Also, women, as the main theme of the novel, for whom the important events of the story are completely based on the redefinition of the identity of ISIS, have been the main targets of the actions of the dominant activist to redefine the identity. In the process of identity formation, women are included in a marginal construction in terms of the meaning of identity, and in some cases they are even placed in the "meaninglessness" of identity and equality with animals and objects