Analyzing the phonetic and lexical aesthetics of the collections (Akher Shahnameh and Azan Avesta) of the Akhwan sales with a norm-avoidance approach

Literary aesthetics is one of the most important and significant methods of investigating the concepts and themes of literary points and the manifestation of the beauties in the language of poetry, which has been given a lot of attention. Phonetic and lexical levels are among the areas that can be investigated in the language field according to the theory of "norm avoidance". This means that the developments that occur in the phonetic level of the language ultimately cause its stylistic identification in the musical field. Examining lexical aesthetics also has a decisive role in distinguishing the style of poets' poetry. This article, which is done in a descriptive-analytical way, is devoted to the investigation of phonetic and lexical aesthetics in two prominent works of the Third Brotherhood (from this Avesta - the last of the Shahnameh). The obtained results indicate that Mehdi Akhwan Al-Talihi chose deviation from standard language rules as a method for creating pure poetic themes and creating stylistic distinction in musical and linguistic fields. In phonetic aesthetics, Akhwan has used processes such as: Abdal, ghosts, relief, intensification, deletion and addition in the most beautiful way. The lexical aesthetic of Akhwan has also been done mostly in the areas of composition and archaism in the fields of (noun-verb-adjective and letter).