Semiotic Analysis of Romanticist Discourse in the Poem Bot-Tarash (Idol Maker) by Nader Naderpour

The poem Bot-Tarash (Idol Maker) by Naderpour has an important place in Iranian romanticism and needs to be studied from a discursive analysis point of view. The main question is what sensory-perceptual components articulate the discursive aspects of the romanticist approach in the text. The hypothesis is that this discursive articulation is in relationship with pre-discursive orientation of the enunciator and the tensive inter-subjective conditions. The results showed that the changes in the subjective relationships, comes from the semiotic orientation of the enunciator and his previous idea regarding the opposition between the ideal and the real beauty. The enunciator in the text has a theoretical plan for the insufficiency of ideal beauty in the real world. The inability of reality to actualize his imaginative and proverbial dreams causes the formation of despair, pain and anger. Enunciator wants to say that because it is not possible to fulfill his request digitally and through the magical mediation of a myth in the real world, he destroys his beautiful idealistic creature (idol). This is so because the mythical euphoria is forever out of reach and the gap between the ideal and the real will never be removed.