The survey of internal music and repetition in the poems of Maulana Mohammad Baqir Khorde

Poetry is the transmission of experience through the presentation of unexpected methods. Composition of phrases is one of the highlighting methods. Maulana Mohammad Baqer Khorde is one of the prominent poets of the Safavid era. He is one of the phrase composer poets. Various musical effects are seen in the poetic compositions. Music is one of the building elements of poetry, which is divided into three categories. External music (prosodic aspect of poetry), side music (epistrophe and rhyme), internal music (types of balances resulting from verbal communication and semantic proportions). In this article, an attempt has been made to examine the poetic phrase compositions of the Diwan manuscript of Maulana Mohammad Baqer Khorde Kashani's poetry from the perspective of inner music. The obtained results show that he used internal music to create a kind of unity in The axis of companionship and succession in poetry. In addition to the appropriateness, beauty and effect of the words, the linguistic richness of the poem and the semantic load of the compositions are also added. He has shown that he has achieved the ultimate goal of poetry, which is to express the meaning and inner meaning of poetry, by observing the appropriateness and connection between music and poetry with other elements.