فصلنامه زیبایی شناسی ادبی
سال چهاردهم شماره 56 (تابستان 1402)

Language has never been free of metaphor at any time and at any level, whether in everyday and automatic language or in literary or scientific language. The fusion of metaphor with experience is such that it is thought that a metaphor can never be understood independently of its empirical basis, or even possible to represent it in an appropriate way. Conceptual The systematic dependence of metaphorical expressions on metaphorical concepts allows us to study metaphorical linguistic expressions to understand and understand the nature of metaphorical concepts of our activities. Because of this systematicity, it is possible to understand one aspect of a concept in terms of another aspect. This article examines this type of metaphor in Saadi's ghazals by basing its research method on the conceptual metaphor theory of Likoff and Johnson. . The most cognitive concepts in Saadi's sonnets belong to natural elements and spheres of power. The high frequency of a name map means that this concept has a high dominance in the poet's mind and Saadi is either in conflict with these concepts or in association with them.

Myths and mythical and epic figures are one of the important and valuable fields of culture of different nations, which have preserved their fundamental connection with poetry in various ways. Iranian poets have commented on these mythical and Iranian figures according to their attitude. The presence of these elements in Molvi's poems shows the prosperity, continuity and dynamism of these myths. Now, if the element of imagination is included in the myth, due to its aesthetic nature, it adds to the aesthetic aspect of myths and epics. For this reason, the purpose of this research is to investigate the aesthetic aspect of Iranian mythological and epic characters and figures in Rumi's poems, relying on Masnavi Ma'navi and Divan Shams. This essay is done with a descriptive-analytical method and looks at the mystical function of myth from Joseph Campbell's point of view. Results show that the presence of these mythological and epic figures shows the recognition and attachment of Rumi to ancient stories, mythological and epic characters of the Shahnameh. Also, among the literary arrays, allusion, simile, and metaphor are the most important images that have caused the mythical literaryness of Rumi's poems.

Abstract Allusion is one of the literary arts that poets have been using for a long time in order to make their work attractive and authentic. Allusion means referring to stories, verses, traditions, etc . in poetry, if the reader can understand These hints should reach the knowledge of these stories, verses, narrations, etc . Otherwise, the poem will appear meaningless and meaningless in the eyes of the reader . One of these poets is Shams-al-Din-Kashani poet of the Mughal era, who, due to the religious conditions of that era, used Islamic allusions in his work, the Changizi Shahnameh . Shams-al-Din-Kashani . The research method is a library and analytical-descriptive method . The results of the research showed that Shams-al-Din-Kashani used religious - Islamic allusions, i.e. verses, narratives and stories, cleverly and expertly . This art is profitable in its own work, which indicates the religious-Islamic beliefs of the poet .

Poetry is the transmission of experience through the presentation of unexpected methods. Composition of phrases is one of the highlighting methods. Maulana Mohammad Baqer Khorde is one of the prominent poets of the Safavid era. He is one of the phrase composer poets. Various musical effects are seen in the poetic compositions. Music is one of the building elements of poetry, which is divided into three categories. External music (prosodic aspect of poetry), side music (epistrophe and rhyme), internal music (types of balances resulting from verbal communication and semantic proportions). In this article, an attempt has been made to examine the poetic phrase compositions of the Diwan manuscript of Maulana Mohammad Baqer Khorde Kashani's poetry from the perspective of inner music. The obtained results show that he used internal music to create a kind of unity in The axis of companionship and succession in poetry. In addition to the appropriateness, beauty and effect of the words, the linguistic richness of the poem and the semantic load of the compositions are also added. He has shown that he has achieved the ultimate goal of poetry, which is to express the meaning and inner meaning of poetry, by observing the appropriateness and connection between music and poetry with other elements.

Coherence means the lexical or structural relations of the text, or in other words, the intra-textual mechanism of the language that helps the author to create and communicate in each sentence or between sentences. In this research, the author is trying to investigate and analyze the travelogue of Nasser Khosrow Qabadiani in a descriptive-analytical way and library tools using Halliday and Hassan's theory of coherence in constructivist linguistics. According to Halliday and Hassan's theory, cohesion is one of the main characteristics of a text that is created by elements in the text, and these elements include three parts: lexical, grammatical, and linking, which play a role in the relationship between sentence components. In this article, the elements and methods of creating coherence in the text of Nasser Khosrow's travelogue have been studied and analyzed. The result of the research indicates that considering that Nasser Khosrow's travelogue contains material in the geographical, economic, social and political fields; It is a coherent, uniform and integrated text, and a number of elements and ways of integrating the text play a very important role in creating its coherence. Also, the elements of cohesion play a great role in its attractiveness, understanding and impact on the reader, which convinces the reader. In this way, prose and prose texts are distinguished from each other based on the language and content and the method of using the elements of coherence, and they are valued and graded in terms of the extent of the use of coherence.

The constitutional era is one of the ups and downs of Iran's history, in which the results of the industrial progress of the West reached the third world countries and Iran. Therefore, researching and examining the poems of poets of this period will lead to more familiarity with the political, economic and social conditions of that era. In this research, an attempt has been made to "investigate Western vocabulary and terms in the depiction and theme-creation of the poetry of the constitutional era by means of a descriptive-analytical method and with library tools, relying on the divan of Malik al-Shaarai Bahar's poems." The findings of the research show that Bahar used imagery and thematization to express political, cultural and social themes due to familiarity with the past texts of the Persian language. In the thematic section, Bahar has used western loanwords more than other poets of his time, and in the illustration section, irony array has been used the most and he has created an image with the help of expression techniques with western words. The importance of using loan words in Diwan Bahar is that it expresses the atmosphere of cultural, political, social and economic relations between Iran and the countries of France, England and Russia. The high frequency of borrowing French words expresses political and social issues and the use of Russian words is mostly due to economic and industrial relations.

Shab al-Zarif is one of the Syrian Arabic-language poets of the Mamluk period who was very skilled in the use of various genres and literary arrays. Among his beautiful and interesting arrays are four arrays: Hasan Tahir, Hassan Khatam, Hassan Tafam and Hassan Talil. In the present research, these four literary virtues in Shab al-Zarif's Diwan are examined from the aspect of aesthetics. The author of the present essay has done it in a descriptive-analytical way and based on library studies and has come to the conclusion that Shab al-Zarif has used the four literary virtues: Hassan Tahir, Hassan Khatam, Hassan Tafam, and Hassan Talil in a very artistic way. These merits, Hasan Talil compared to other cases, due to being accompanied by expressive arrays such as similes and metaphors, are among the imaginative and imaginative forms of rhetoric. By taking advantage of these literary qualities, Shab al-Zarif has increased the grace and prosperity of his speech after establishing his speech and meeting the needs of the audience, and has finally attracted the attention of the audience.

The literature of the Qajar era underwent fundamental changes in the structure of Iran's political, social and cultural spheres due to the constitutionalism movement. This modernity left a tremendous impact on the poetry and prose of this period. One of the most important features of the poetry of the constitutional era is the difference and type of vision of the poets towards the existing realities, which led to the creation of new themes. One of the most important themes in Persian poetry of the constitutional era is "freedom, homeland and justice". In this research, the author aims to investigate the literary arrays in the political poems of Adib al-Mamalek Farahani, using descriptive-analytical method and library tools. Adib al-Mamalek is one of the poets of the constitutional era and the awakening period, and most of his poems are about political and social themes. The results of the research show that Adib has used the literary arts in his poems to address the themes of homeland, freedom and justice, and because he was a religious person, in addition to paying attention to the hints related to Iran before Islam, he also paid attention to Iran during the Islamic period. Paying attention and regarding the issue of love for the country, his patriotism was not accompanied by hatred of Arabs. Recommendations for rule of law, criticism of ignorance and neglect, criticism of the inappropriate performance of the parliament, criticism of the judiciary and attention to justice are considered other poetic themes of Adib.

In the fiction literature of children and teenagers, the importance of fantasy and the influence of imagination has a special place. Considering the beauty of the components of imagination in creating an effective work, it shows the mental ability and the power of visualization in creating artistic effects that the author uses audience knowledge in the process of imagination to plan challenging and attractive situations through characterizations and The staging deals with it.In processing the imagination in the work of art, writers will be successful if they choose wisely and act purposefully.In this research, the author aims to analyze the aesthetics of imagination components in the characterization of the giant in two novels, The Great Kind Ghul by Roald Dahl and DVD Asrar al-Ghul by Mohammad Reza Marzouqi, in the form of content analysis and based on the psychological theory of imagination and characterization. Freud and with a documentary-library method, investigate and deal with the effect and importance of the role of imagination in the story and it can be concluded that the authors who have paid attention to the aesthetics of the imagination components in their work by increasing the quality of the story, attract the audience. have also been successful.