A Study of the Shushi Discourse Process in the Story of the Surreal Worlds 1Q84 by Haruki Murakami

In this article, we try to examine the transition from the action system to the story of "1Q84" and the production of meaning in the discourse context of the story, which is mainly based on the emotional system. The essay is a descriptive method based on a descriptive method that analyzes Shushi discourse in the 1Q84 narrative of Haruki Murakami, a surrealist novel of two parallel worlds. The article in a semantic-semantic framework, using the Shushi model of discourse, analyzes the subject and while analyzing parts of the story, analyzes the sensory-perceptual and emotional infrastructures that cause different actions in the story. The article concludes that in Shushi discourse, the production of meaning in the context of the story is mainly based on the emotional-perceptual system and the emotional system of the two main characters of the story, namely "Aomameh" and "Tango". The text is also formed according to the various dimensions of the relationship of the Shushgars with the elements around the text. Emotion and perception as the two main subsets of Shushi discourse have had the greatest contribution in creating the meaning of the text in this story. Tango and Ayomama cross the border of an actor, and many of their behaviors and actions fall within the realm of Shushi discourse.