Discourse analysis of the phenomenal semantics of the epigraphic body of love in Safavid paintings

Written body in the East is the symbolic function of engraved images on the body of the subject. The ritual presence of three points engraved with a mystical function on the subject's hand as a non-modality contract represents the seal that existence puts on the subject's body. In the tension-emotional process, the subject's body in a state of impulse has become physical, which is the center of energy production. The subject is in a state of transcendence in crossing himself to reach the meaning aura of love. In this atmosphere of discourse ecstasy; The referential and objective body has become invisible, and the mystical points in Shushi's time make an indeterminate system visible on the body of the subject. Shushgar's subject is tied to the soul of the universe in the separation and escape from the cognitive state due to the mutation of design and experiences Bush from the inside. due to discourse transformation; The written body of the phenomenon is adapted to the body of existence, and the subject redefines the existence of his presence by descending and connecting to the multifaceted space of love in the moment of sparkle. In order to get out of its lack of meaning, the subject surrenders its determination without resisting existence. Everything moves in harmony like a symphony. The results of the research show that the subject of Shushi is connected with the existence of the presence of love at the deep level of discourse construction.