فصلنامه ادبیات و زبانهای محلی ایران زمین
سال سیزدهم شماره 2 (پیاپی 40، تابستان 1402)

Dahaghan has been one of the regions with nice climate, fertile and suitable for agriculture since long time ago. Due to the fertility of the Dehaghan land, in the past, people were engaged in the cultivation of wheat, barley, beans, etc. in the form of peasant, lords and small owners in a traditional way, but via modernization of agriculture, this profession has shown a new form. Agriculture has traditionally been associated with certain words and terms that still remain among old people and middle-aged ones. The anxiety of these words and terms destruction and the need to preserve them made the writers to collect these words. Using the field and library method, this research has investigated the words and expressions related to planting and harvesting, wheat farmers' songs, proverbs and the irrigation method of agricultural products relying on the cultivation of wheat and barley in Dahaghan. From examining the set of beliefs as well as common words and expressions among peasant farmers, it becomes clear that this city has a long-lasting and original culture and has preserved a set of rituals, words and expressions very ancient and pure.

In modern psychology, colors are one of the main criteria to evaluate personality. Colors are a kind of quivering energy and visible sounds that leave special effects on the body and soul of each individual. They can be a rich and useful source for mental studies and analysis of spiritual and psychological characteristics of any ethnicity and population. While studying the aesthetic attributes of Azeri Bayatis, this article also studies and analyses the colors incorporated in them based on Max Lüscher’s eight practical color test, and some spiritual and psychological qualities of people in the region were studied through the works of anonymous poets of these songs. The research methodology was descriptive-analytic and the data collection method was library research. 3600 collections of Bayatis were used as the statistical population and in 226 of them different colors were used. Based on the findings of the research, the spectrum of the colors used in the Bayatis partially demonstrates the spiritual and psychological qualities of the people in the region in communicating their feelings, beliefs, sensibilities, happiness, failures and reflecting their individual and social living environment which was full of ups and downs. Villagers live in harsh mountain and subsistence conditions, but their way of life and strong spirits have made them hard-working, resilient, active, and strong individuals that have tended to improve their living conditions.

Parables are one of the types of popular literature that have always been a suitable platform for reflecting the feelings, thoughts, beliefs, ideals, wishes and mood of human societies. One of the important features of parables is their instructive aspect. The Sorkhi tribe is one of the ancient Iranian tribes whom has lived in the southwest of Shiraz and in the Kohmarreh-Sorkhi area. These people speak the Sorkhi dialect and they have a rich oral literature. folktale is one of the most used types in the conversations of the people in this country. The author first collected four hundred and sixty-three tales, two hundred and eighty of them have an educational aspect, using the field method and using old people in different villages of this region. Using library resources and with a descriptive-analytical approach, he has examined and analyzed their instructional aspects. The importance and necessity of this research is to preserve an important part of the folk literature of this region, which is on the threshold of destruction. The findings of the research show many and diverse concepts of advice in the parables of the Sorkhi people. More than half of the parables in this area contain advice. The news to observe moral virtues and stay away from moral vices, work, marriage and raising children includes most of these concepts. The instructional concepts of these parables are classified into eight categories: teachings about moral virtues, teachings about moral vices, teachings about friends, enemies, and neighbors, and mixtures about livelihood. and asking for a living, teachings about advice to work, planning in effort, trusting work to assistants, teachings about marriage, teachings about raising children and the other issues, and teachings about awareness in knowing people in the society.

Music is an fundamental part of the culture of any nation, and it can be clearly stated that civilized and ancient nations enjoy music in their historical and cultural background. This cultural phenomenon has always been considered by poets due to the deep connection between poetry and music, and in their words, they have referred to music and its instruments. Kurdish language poets have also paid special attention to music and its instruments for nationalistic and literary purposes; they have referred to folk music and its instruments in different ways. Ghaneh, a famous Kurdish poet, is one of them. His divan is a rich source for the study of anthropology and popular culture. This article tries to study the function of musical instruments in Divan-e-Ghaneh in an analytical-descriptive approach based on the library method to explain the reflection of these musical instruments on the local music and folklore of the poet's region. The findings show that Ghaneh paid special attention to local musical instruments to enrich his poem. The poet has used Kurdish musical instruments, which are often local instruments, for various purposes such as making literary images, expressing social and nationalistic concepts, complaining about the world, describing various matters, mere references, and so on.

Taleshi dialect is a continuation of the natural and evolved language of the Middle and ancient Persian ones. Some scholars regard this dialect as the part of the Azeri language, and some people regard it as a language rooted in material language. This dialect is divided into three categories: North, Central, and South, among which the ambarani accent is located in the North Taleshi dialect group. Up to now, this accent has retained many ancient and Middle Persian words in its own language, and has phonetic, lexical, and grammatical features that the results of their careful examination can be a valuable service to the field. The Persian language is considered to be affluent and will help researchers in this field. The present study is based on the reading of the historical and phonological evolution of some tense words of Anbarian from the ancient and Middle Persian eras and their comparison with the new one. It can be said that these terms Within this accent have not been suffered from a phonetic and immortal evolution, and because of the similarity and resemblance of these words in the dialect of Anbarani dialect with the ancient and Middle Persian is more than the new Persian and the standard one, which is a sign of longitude and authenticity dialect.

Amir Pazvari is the most famous native poet of Mazandarani dialect, whose poems have been the subject of research by popular literature enthusiasts and researchers. A poem called "Amir and Gohar" has attracted attention among the romantic poems of native Mazandaran literature with the publication of Amirs and poems attributed to him under the name "Divan Amir Pazvari" in the last decade. Therefore, this essay aims to discuss Amir and Gohar according to the characteristics of romantic poems. Criticism and analysis of research shows that the legend of Amir's meeting with Imam Ali (A.S.) is the foundation of the poem named Amir and Gohar. Amir and Gohar are among the legendary characters; But the events revolve around the meeting with Imam Ali (A.S.) and do not indicate the course of the story and romantic events.In fact, there is only one legend about Amir and Gohar, and contrary to the expectations of researchers and lovers of popular literature, there is no poem with this name in Mazandaran. From the verses and couplets attributed to Amir Pazvari by describing feelings to "Gohar", only non-narrative poems can be imagined; Because, only a short section of Amir and Gohar's life is represented in the poems, and since there is no story and romantic history of Amir and Gohar, the story cannot be placed in the framework of romantic narratives.