نشریه تحقیقات تمثیلی در زبان و ادب فارسی
پیاپی 57 (پاییز 1402)

In this article, we have tried to take a look at the poet's allegory in this poem, especially the close relationship between Fakhruddin Asad Gorgani's style and two important themes, unconscious and self-conscious, can better show the poet's artistic level in adapting and paying attention to allegory. Since Weiss and Ramin's system has not been examined and considered from the point of view of allegory, the research method in this research is analytical and descriptive in the form of a library after collecting the available sources (articles and books) and commenting on them as well as After sampling, it has been done in an analytical way. Allegory in Weiss and Ramin's lyrical system is about 90% of the type of parable and 10% allegorical allegory. The most important achievement in this article is that all the parables in Weiss and Ramin belong to Sending proverbs and folk wisdom in a concise and concise language is expressive, which, of course, shows the wisdom of Wonders, literary concepts and artistic beauty in the best possible way.

Allegory is one of the most widespread ways of storytelling that inspires moral, didactic, social and political thoughts and messages to the reader. It is one of the methods of indirect expression of the poet's thoughts An allegory is a narrative that can be read in disguise; so that it takes on other meanings that makes his speech more effective. Minimalism, as one of the main structural relationships of speech in social themes, is of significant importance. In this regard, minimalist short stories provide a suitable platform for analyzing the structural principles of speech based on the principle of allegory, due to the use of the basic narrative and allegorical structure as well as sociological relationships. This research has explained the allegorical effects of the poems of Shafii Kodkani and Akhwansals a descriptive-analytical way. In the thought of each of these two speakers. The main problem of this research is to search for the arrangements that Shafi'i Kodkani and Akhwansals used to express their inner intentions based on the prevailing concerns in the mind. The results of this research show that; The poems of Akhwan and Shafi'i Kodkani, with their solid structure, based on a unique form and structure, reflect the allegorical foundations of the word well in their poems.

The province of Bushehr, situated along the Persian Gulf in southwestern Iran, holds a significant position in the literature of the country, especially in the narrative genre of the southern literary school, spanning from the first to the fourth generations of writers. Storytellers from this region, like their counterparts in other parts of Iran, have employed diverse narrative techniques in different historical periods. The literary richness of this diversity and evolution is influenced by global literature on one hand, and on the other, it is connected to the narrative traditions of classical texts in ancient Persian literature, which utilize symbolism as a means of story representation.The aim and necessity of this article are to elucidate the merits, shortcomings, and contextual reinterpretations of allegorical and symbolic content in the second era of Bushehr's literary production. Therefore, this study endeavors to analyze allegorical works in three categories: independent narratives, non-independent narratives, and the use of symbols, focusing on the period between the 1920s and 1950s. It seeks to answer the fundamental question of which allegorical expression methods the writers of this era employed and for what purposes. The outcome of this research, presented in a library-style format with a researchanalytical approach, reveals that during the second Pahlavi era, "Choubak" narrates independent stories based on the undesirable social and political atmosphere of the society, while both allegory and symbolic representation are found in the stories of another writer from this period, "Parvizi".

Critical fiction is one of the most obvious fields in which social issues and problems are well represented. In some social periods, writers could not easily express their opinions due to the political suffocation of the society, they used indirect methods of expression such as critical allegories to express their opinions, thoughts and criticisms. Since the examination of critical parables is necessary to show thoughts and criticisms of the political, social and historical situation of the society in order to enlighten the audience, the purpose of the research is to examine the actions and critical allegorical behaviors in the story of "Ganeh Ganehai Zard" with a political approach and social influences in order to enlighten the audience. In this article, we intend to mention some examples based on political, historical and social allegory from the text of the story and examine the social harm caused by it and answer the question that; What is the effect of critical allegorical actions and behaviors with a political, social and historical approach in the story of "Ganeh Ganehai Zard" in the direction of enlightening the audience The data collection method of this research was done in a library manner and has a descriptive-analytical approach. The results of the research show that the author has portrayed the political and social effects of dictatorial, dictatorial and colonial actions and behaviors and the resulting social harms to enlighten the audience with critical parables.

Parvin Etesami pursues the issue of forging a permanent relationship with her audience by applying Jacobsen’s theory in her poems and presenting her intellectual motivations to them. The application of this theory has increased with the approach of research in recent years. The present study mainly aims to investigate the content and theme of Parvin's Divan (collection of poems), based on the principles of the aforementioned theory. Research data have been collected by the descriptive-analytical method and library sources. Results show that the persuasive lingual role of these poems in guiding the audience to do moral issues is one of their defects. By relying on this role, the poet has developed empathy and unity among her like-minded people and has been able to clearly express social problems through a large volume of poems with a critical attitude. She has also specified the audience’s role in the text by questions from them. The emotional role confirms Parvin's social dominance over the individual self. It reflects that the words with the meaning of sadness are repeatedly observed in Parvin's poetry. The literal role shows Parvin's high imagination power to reveal the differences of opinion in society with the use of metaphors and similes.

Allegory is one of the important literary types, which has always been the focus of poets and orators, because it expresses the thoughts, identity and culture of nations. Poets and writers have used the allegorical approach of animals to express their goals. The aim of the research is to carefully examine the examples and allegorical effects of the horse in Bafaghi's Wild Court. In this article, with a descriptive-analytical method, an attempt has been made to answer the question that in what cases did Bakhti Bafqi use the allegory of the horse in his court The results show that the poet made an allegory of the love story of Farhad and Shirin and Khosrow and Shirin with the help of the word horse. In addition, it has an allegory to the story of the ascension of the great Prophet to the throne.In addition, it has an allegory to the story of the ascension of the great Prophet to the throne.