نشریه تحقیقات تمثیلی در زبان و ادب فارسی
پیاپی 6 (زمستان 1389)

Complaint is a kind of lyric poetry in which the poet tries to make the reader aware of what has made him/her suffer. Based on the subject, complain is generally divided into five categories: 1) Personal 2) Social 3) philosophical 4) Political 5) Mystical. Khaghani is among the poets whose poetry is deeply concerened with the motif of grief and sadness. One can almost say for sure that complaining has a particular function in his poetry. Of his 17000 lines, almost 1000 lines (about 6%) of his whole Divan has been devoted to this issue. His poetry is not concerened with mystical complaint at all, and political complaint has the lowest frequency, while other issues are, in turn, divided into various other subdivisions. This paper is concerened with complaint and its reflection in Khaghani’s poetry.

Mohammad Khan Hadji Khane Jamal Khane Dashti has been among the leading poets of the literary restoration period. He enjoyed his generosity and reputation and his position as a khan (boss) of Dashti. His transition from his political career and his being in touch with the prominent figures in the Qajar era changed him into a professional poet. This can be figured out through the ongoing changes in his poetry. During his lifetime, his poetry attracted the attention of people in power, well-known poets, and biographers; however, throughout the course of time, his works are being gradually ignored. Besides his Divan, which is composed of different types of poems-sonnets in particular- he has written several other books as well. This paper attempts to introduce his works and make an overview of his poetry.

Congeries is the most effective figure of speech that is created by the poet through choosing approp riate words. Also called “taxis,” congeries makes other figures of speech take an active role in the literary work. However, literary-terminology books do not give a comprehensive definition of the term “congeries”; thus, they need to be reviewd. This paper is an attempt to offer a correct definition of “congeries” through various examples.

Iranians have had a large share in the progress of science, particularly intellectual knowledge, medicine, pharmacy and paramedical era before and after the emergence of Islam. Jundi Shapur University of Medical Sciences in Ahvaz and "Ryvardshyr” (now Bushehr) at that time suggests that, in Sassanid era, Iranians paid special attention to develop the intellectual sciences. Iranians’ medical works have been considered among the most important sources in the Islamic world. The main factors of the Iranians’ influence in the development and publication of intellectual sciences during the Islamic civilization can be summarized as follows:1. Iranians’ domination in science and literature and their power in the Abbasid government2. Iranian religious campaigns and the Abbasid rulers’ concerns about intellectual sciences and philosophy 3. Iranians’ familiarity with various kinds of human knowledge, including medicine,mathematics, and translation techniques

By thematic studying of poet's work, we realize that these are representative of real world which illustrate all aspect of writer's society. Poets, use different way to show their social milieu. One of this ways is use of allegory in flower's language, which cause improving value of poem's meaning. These flowers that are substitution of human send their message in symbolic narrative. Although this interaction between flowers make reader happy, it's milieu goal is expressing and emphasis on social thought. This essay survey two allegorical conversation of flower's language in expressive-analytical way; by comparing these conversation we have new readability of these kinds of poem.

Kimia Khatoon, a novel written by Ms. Saideh Quds, is among the novels written about the life of Shams. In a short time-five years, from 1383 to1388- it has been republished for twenty times. This may cause hapiness on one side, and concern on the other side. One may get concerned because of the fear of the readers’ dislike of Shams, and, consequently, of Moulana (Rumi)-his disciple- who composed a lot of sonnetrs on him, and of the pure mysticism and prominent legacy of Iranian mysticism, of such works like Masnavi and Shams’ Sonnets. One may fear that this novel can understimate and degrade Persian literature, mysticism, and Iranian mystics, as we have experienced selling a lot of our good things for nothing without replacing them: this happened in a period of time when a lot of people in the West showed great interest in Iran mysticism in general, and Moulana’s (Rumi’s) mysticism in particular; it came to the point that within a few consequtive years Rumi’s poems were among the best-selling books in United States, and in less than a decade, nearly one hundred million copies of his poems have been sold! It seems that Ms. Saideh Quds in the course of the narration of her novel wants to depict Shams’ behavior based on certain psychological factors and the repression of instincts. This paper deals with two points:1. The author of the novel has in fact narrated the story of Shams’ life based on the contemporary Western schools of psychology.2. Psychoanalysis is not a proper way to analyse mystical characters, for entering the field of psychoanalysis may cause a lot of issues relating to mysticism to be ignored. Thus, these issues being ignored, one cannot realize many aspects of mystical characters. To this end, this paper tries to study the flunctuations in the narration of Kimia Khatoon and compares them with historical narrative resources such as Managheb Al-Arefin and Resaleye Sepahsalar, and finally examines the reasons of these differences.

When one studies the status of science in the mid-fifth century to the beginning of the seventh century, he/she spots, despite all the problems, the development of intellectual sciences, especially astronomy, along with other sciences. One can also realize that after Khaghani, his disciple, Mojir Al-Din Bylqany found an opportunity to include all the knowledge of time, especially astronomy, astronomical instruments, atmospheric phenomena, bliss and malevolent, spheres in his poems and provide all those who were seeking such things. This paper is an attempt to reveal what the poet’s thoughts and ideas are concerning astronomy and spheres.

In this articale, with regard to the art off narration of Nezami and fictional value of (seven fugure) haft pykar and the most outstanding part of it (seven dome) haft gonbad, it has been tried to investigate rules governing the structure of this stories of haft gonbad in a descriptive-analytical way while giving clear and comprehensive definitions of fiction elements for the flufilment of this purpose first aprecise definition of fictional elements has been dealt with then with a short definition fictional element, each of the stories of haft gonbad has been analysed on the basis of fictional, like plot, scenery, them, character manner. At the end of article bout comes of the investigation have been stated.