فصلنامه زیبایی شناسی ادبی
سال چهارم شماره 18 (زمستان 1392)

Gabrirl in the holy koran is charactrized a the sender of Gods revelations to the holy prophet. So he has the station of Gods messagener. As father role of Gabtiel and regarding some Ayas of Noor chapter in the holy koran, Sohrevardi, the moslen philosopher of the 5thcentury. In a story entitled the song of gabriels feather corsidears the whole universe as the output of right and left feathers of Gabriel. He tries to render a mental picture at this subject my stically.In picturizing and telling the story of the song of gabriels feather and dealing with the exemplar world in islamic gnosticism and using the iranian picturizing art of sohrevardi living in the era of sojughian period would be a good help to create a celebrated literary work to use the visibility capacity of Islamic calligraphy ehich is the picture of the word and in corporating it with the picture elements and its Transparency will be of a good help here in.

The Persian language and literature in Indian peninsula blossomed in the literary arena of Northern India. Initially, it did not attract the attention of Indian literary critics while Iranologists considered it as a "counterfeit and imitation of classic literary works of Shiraz and Isfahan". This is why the works by one of the best representatives of this literary tradition, i.e., Amir Khosro Dehlavi, received the spotlight and attention of the researchers relatively late. It is possible that since geographically Amir Khosro belongs to the Indian territory, many years after recognition of his importance still publication of (the collection of) his poetry is considerably limited. Indian researchers have mostly studied the poet's works in Indian language and have hardy referred to his Persian poems. The works by orientologists and Iranologists consider his poetry in line with the literary trends in Middle Ages. Some aspects of his literary creation have been investigated in the research studies by (Bertless, Setarico, and Twichew) However, these same researchers also have not seriously and comprehensively dealt with Amir Khosro Dehlavi's Divaan.

1.Abstract Beihaghi's history known as a sophisticated prose masterpiece holds great historical events in Persian Literature. 2. In this work, the writer has applied a specific language along with defining the fact and making communication with his audience as well as the influence of his speech from knowledge. 3. This embraces a new structure of word, beautiful and artistic combinations, brevity, convenient lengthening of speech and appropriate application in various situations to convey his meaning to the audience. 4. The current essay is aiming at considering the effect of Beihagh's speech on the reader through creating beauty and art in practicing words and verbs and putting them together as tenderly and harmonically as possible.

In the formalist criticism,deviation is one of the defamiliarization method. In this method some rules are added to the norm language that is made the literary text foregrounding. In many cases QeysarAminpour has been deviation in his poems,by this way he is development his language poems. In this article that shows the inward and outward beauty of his poems. The results of the survey shows that Aminpour has used of the sort of the deviation in his poems that is not similar usage that most foregrounding of this related to the semantics deviation that is appears widely in the forms of Simile,Metaphor, Synesthesia, Personification and paradox.

While reading a story, our presupposition is that characters get involved in dialogues created by the writer."Polyphony" is partly about these dialogues among characters and /or between the character and the narrator.In Daneshvar's stories, however, characters are mostly involved in dramatic monologues. These monologues are usually propagandist propositions which are variously put in the form of sentences that might continue for pages in a novel or a short story. This paper calls these running sentences "resolutions".The hypothesis here is that as one reads Daneshvar's various texts (either short stories or novels) in the chronological order of their creation, their tendency towards propagandist propositions increases considerably. Therefore, stories that could have been genuine samples of polyphonic texts had turned into ideological monologues.Therefore, these texts develop their own stories in the form of a monologue or they present some characters whose variety does not refute the fact that they are all spokespersons of the author herself. In other words, their voice belongs to the author.Based on Bakhtin's ideas and notions, this paper analyzes the propositional texts that are written by Daneshvar. It also reveals how the author gets fascinated and absorbed by her own voice which is conveyed through the character's discourse. This library-based study tackles the issue through a descriptive –analytical point of view.

Analyzing the elements of the various contemporary stories, due to the themes and contents of such stories and concerning their constructions, sounds feasible.The adapted constructions of such versified stories are evolved on the basis of subject matters and themes of stories.One of the epics, heroic, and mythical stories of the ancient lranian literature, the story of Arash-e-kamangir, is now versified by Syavash Kasraee-one of the lranian poets of the modern era. This new versified form is mainly appliep to the social-political matters and concerns such subjects.Except from his artistic insight and intelligent indications for the versification of this epic, and, also his reasons for recreating and modernizing this story, in this essay it is intended to analyze the elements of this versified epic more prominently and also detect the other meritorious and ingenious standpoints present in this versified story. The specific purpose of this essay is to extract and analyze the modern and new elements applied in this versified ancient epic in order to present and state the extent of the success of such a modern poet and his unique skill.

All poets, more or less, Pay attention to the beauty of language in their Poetry. However, figures of speech are much more frequently used by poets in sonnet and ode and less in other literary genres, especially in couplet-poem. Nesari Tooni, a poet living at the time of Saffavid dynasty, has mixed the beauty of language with eloquence and rhetoric in his couplet-poem anthology entitled`Sarv & Tazarv` (cypress & pheasant). This has made his poetry, in this couplet-poem, beautiful, elegant and artistic. This article intends to investigate instances of rhetorical language in his poetry.