فهرست مطالب عفت جلالی سروستانی

Mir Abdul Wahed ibn Ibrahim ibn Qutbuddin ibn Mahro Belgrami is one of the most experienced and Sufi scholars in India whose mystical teacher is Chishti and the book "Sab’e Sanabel" is one of his works. The purpose of this article is to introduce, study and analyze the style of "Sabea Sanabel" manuscript. Correction of manuscripts and revival of these texts is one of the most important and fundamental fields of research in Persian language and literature.

This article has been done in a descriptive-analytical method by document and library methods. Also, while introducing the author, his works, intellectual and mystical foundations, the manuscript of "Sab’e Sanabel" has been introduced in detail and has been criticized in terms of style.

The author has been very much influenced by the Arabic language in composing this work. This is confirmed by the high frequency of Arabic words, Arabic, blue, and imitation of the context of the Arabic language in writing Persian sentences. Intellectually, the author has paid more attention to the customs, thoughts and intellectual foundations of the Chishti way than anything else. In terms of aesthetics and use of literary arrays, however, it has not been very successful and the frequency of arrays and rhetorical forms such as irony, simile, metaphor and all kinds of puns in this text is very low.

Belgrami has shown interest in using the characteristics of the ancient language and many manifestations of the ancient Persian language can be seen in Sab’e Sanabel. On the other hand, the excessive mixing of the language of this work with the Arabic language sometimes makes it difficult to understand the text. Nevertheless, in some parts of the text, especially in the narration of anecdotes, the language has become simple. Except in the preface and a few cases in the original text, we do not encounter the richness of rhetorical industries in the prose of this work; Although there are about 600 bits in this work, this frequency sometimes causes confusion and scattering of thought and order and coherence of the content.

In the field of mysticism, there is a huge volume of literary works, in prose and poetry, in Persian or Arabic, the content of which is diverse, ranging from wisdom, philosophy, interpretation of the Qur'an to hadith. The theory of Sufi beliefs and terms, and the expression of love, knowledge, and the critique of reason, and the proof of the agreement of the way with the Shari'a, ethics, customs, monastic customs, and the history of the elders, and the expression of dreams, revelations, and eloquent words are ecstatic. One of the branches of mysticism is the school of semantics, which has seven major literary indicators. Mir Abdul Wahid Ibn Ibrahim Ibn Qutbuddin Ibn Mahro Bilgirami (1161-1095 AH) is one of the most experienced and mystical scholars of India whose mystical school is Chishtī and the book "Sabaa Sanaabil" is one of his works. The aim of the researcher in this article is to introduce and study the customs, beliefs and ideas of the Chishtīyah sect in "Sabaa Sanaabil" by Mir Abdul Wahid Bilgirami with an emphasis on the school of semantics and its indicators, through a descriptive-analytical method. While introducing Bilgirami, authors criticize the intellectual and mystical foundations of his works. Findings indicate that intellectually, the author is greatly influenced by the intellectual mentality of the Chishtī sect, such as the veil, the etiquette of the disciple, the dhikr, meditation, listening, ‘Shariatmadari’, etc., so that he has discussed and referred to the ideas and intellectual foundations of the Chishtī sect.