Analysis of the Possibility of Approaching art to Religious Concepts

Art as a sacred language always has been existed next to religion and accepted conveying the religion's concepts. But in the modern age, art has been separated from religion. In the present article the author aims at finding out which kind of art can convey religious concepts and which of them don’t have this potentiality.
The methodology in this paper is based on the data collection in the library and describing and analyzing them.
According to the art work's form, we can divide the relation between art and religion to two main parts: One group has the potential of conveying religious concepts (the Near-stationed art) and the other doesn’t have this potential (the distant art).
The first group of art works has the potential of conveying religious concepts since they have symbolic language and they don’t pay attention to the details more than usual. This group doesnt address audience as a passive person but by his helps the masterpiece of art will be completed. Islamic art tries to convey its massage by symbols and doesnt damage the religious concepts. This kind delivers the Islamic concepts in its frame. On the other side second group tries to show all the details and they don’t miss the smallest point. While illustrating all details in the metaphysics world is not successful because it has to show all details whiles the artist hasn’t seen metaphysic so he illustrates a distorted image by his fantasy. So it is clear that this kind of art cannot convey religious concepts to their audience correctly.