Analysis of the functions of the object in the narrative of the House of Atheists of Golshiri

The issue of the present article is based on the hypothesis that objects with a universe of their own can play a role in various functions of a Subject, Between the subject and object, phenomenological, prosthetic, and physical form. Based on this, the main question is where is the position of the object in the social relations? And how can the object, based on which discursive functions, take the perspective of the subject and the narrator and, by structuring its action sequences, even organize communication between subject and object? In fact, the main purpose of the present research is to explain the role of the object in the inter-sign, between object and social events in terms of semiotics based on the narration of the Golshiri's Khaneh-Roshanān. The examination of the semiotics of the object in the Khaneh-Roshanān indicates the improvement of the object's objective position to the level of the subject-actor and the role of activism and subjectivity in the context of the activities between the subject and the social. The Khaneh-Roshanān is based on a non-linear narrative and is one of the few works in which the subject assumes the duty of narration and evaluates everything from his point of view. In fact, in this work, an object with roles and functions between subject and objects takes the pulse of narration and takes place on the basis of social actions in a perceptual-sensory interactivity with other subjects, and thus leads to the position A subject-actor is promoted.