The Central Image of Mahdaviat and Its Role in Poetic Space Construction of the Islamic Revolution Era (case stady: Qaisar Amipour)

The image of any imagination, description, fantasy, and highted statement place the addressee in special atmosphere. The Islamic revolution of Iran and its succeding events left great and deep impact on the Islamic poets’ imagination and style which can clearly be seen in their fantasy and imagery. The isalmic orientation and its point of view towards Islamic, Religeous, and revolutionary poetry basics; novel images, new artistic zones in speech related to them appeared which were missing before. Among the poetic images with Mahdaviat meanings and its corresponding artistic modes enjoyed outstanding significance. Gheisar Aminpour whose ideosyncratice feature of his speech was endowed with devotion to Islamic Revolution and its objectives, has delicately designed waiting and its exemplification in his poetry. The authors of this article using descriptive-analytic approach and deploying library search have dealt with the central image of Mahdaviat and its role in revoltionary poetic images (case study: Gheisar Aminpour Poetry)