A stylistic study of Saadi Shirazi's sonnets in the biography of elements of nature

important critical approaches that, by studying the structure of the text and analyzing its elements, in three levels of aerial, method and rhetoric, the communication between these levels and the literary, aesthetic and emotional aspects of the text structure. Animation is from the perspective of the life of the mosque, and in this belief, the mosques understand their existence, the creator and the cause of the world outside themselves and praise God. Saadi's ghazliat has the ability to analyse the physiology of nature's poetry. The results of this set show that, at the Avi level, Saadi, aviary elements, besides beauty and absorption of the mind, in listening to poetry music, it allows the audience to relate the concept. At a combined level, the application of unique compositions, nature, and dynamics of the combined functions of the abyss in terms of language, life, and unanimity, and the meaning is similar to the writing form, highlighted and significant impact on the audience. At a literary level, the use of linguistic illustrations such as the metaphorical image, symbol, concept of nature, the cause of the creation of expressions, images and participation of the audience has been placed on the active side of the text equation. Revival in words: May the wind, plants, mountains and heavenly crimes be greater. Writers, with an analytical way of describing the cognitive style of the concept of life in Saadi Ghazliat,