فصلنامه زیبایی شناسی ادبی
سال دوازدهم شماره 49 (پاییز 1400)

important critical approaches that, by studying the structure of the text and analyzing its elements, in three levels of aerial, method and rhetoric, the communication between these levels and the literary, aesthetic and emotional aspects of the text structure. Animation is from the perspective of the life of the mosque, and in this belief, the mosques understand their existence, the creator and the cause of the world outside themselves and praise God. Saadi's ghazliat has the ability to analyse the physiology of nature's poetry. The results of this set show that, at the Avi level, Saadi, aviary elements, besides beauty and absorption of the mind, in listening to poetry music, it allows the audience to relate the concept. At a combined level, the application of unique compositions, nature, and dynamics of the combined functions of the abyss in terms of language, life, and unanimity, and the meaning is similar to the writing form, highlighted and significant impact on the audience. At a literary level, the use of linguistic illustrations such as the metaphorical image, symbol, concept of nature, the cause of the creation of expressions, images and participation of the audience has been placed on the active side of the text equation. Revival in words: May the wind, plants, mountains and heavenly crimes be greater. Writers, with an analytical way of describing the cognitive style of the concept of life in Saadi Ghazliat,

Roozbehan Baqli Shirazi is known as "Sheikh Shatah" because of his coverage of Sufism. His way is related to Hallaj's mystical heritage and on the other hand it is a continuation of the romantic mystical tradition that is connected with Suhrawardi and Ibn Arabi. This book, which is a full-fledged mirror of the tradition of lovemaking, has been written about love and its types, and is full of imaginative images and novel and expressive illustrations. In this research, this book aims to recognize the type of mystical language of Roozbehan in the Apocalypse, in terms of beauty The science has been studied and the result is that in terms of internal music, the most important arrays are the use of rhymes and phonemes, and in terms of expression, the use of eloquent simile and Meccan metaphor has the highest frequency. The language of Roozbehan Baqli in this book is based on short melodic sentences and his user words, which serve to express romantic and mystical feelings, are inextricably linked with love and all the concepts used in it are related to love and its consequences. It is related that imaginary forms are in the same way in a direct or indirect relationship with love and the lover and the beloved.

A Comparative Study of the Variety of Paradox Functions in Shams Langroudi's Poems with Belgram's TheoryTeymour karami 1Mah nazri 2AbstractParadox is one of the most technical literary industries that arises from the combination of two opposing elements in a subject and leads to the creation of a new meaning. Paradoxical view is divided into three categories: verbal (synthetic), grammatical and content (analytical). What has been overlooked is the examination of the relationship between the two sides of the paradox. Paradoxical expressions in Shams Langroudi's poems have been expressed in various ways with the help of his creative power of imagination. His metalanguage expression allows the impossible to be present in order to convey concepts and express socio-cultural issues.This research has been done by descriptive-analytical method using library sources, by applying the theory of Gholam Ali Azad Belgrami (Indian poet and researcher of the eleventh century AH) in categorizing the cause-and-effect relations between the two sides of the paradox.This is the fundamental question. 1- Do the two sides of the paradoxes used in Shams Langroudi's poems have eleven kinds of relations considered by Belgrami? 2- What kind of paradoxes are most used in Shams Langroudi's poems?

Style means the expression of a particular vision of an artist in his own language, and therefore the vision and language of each artist or artists of a period is different from other artists. Stylistics compares the instrumental attitudes of artists in the face of their internal and external reflections with special components and tools that are among the possibilities of this knowledge. This study, first of all, tries to use quantitative-statistical methods to show, analyze and compare literary elements in the poems of prominent Khorasani and Azerbaijani poets who have been randomly selected from their madness. Get a statistical picture of the complexity of the images (from Khorasani to Azerbaijani style). In the second part of this research, which is written by descriptive-analytical method and using library tools, the architectural course of the mosque and the complexity of its components from Khorasani style to the end of the sixth century will be examined. The result of this study shows that "simplicity and avoidance of complexity" is the most prominent style feature in both the poetic image and the architecture of mosques in the Khorasani style. In the sixth century, we are witnessing great and wonderful developments in the field of creating images and the art of architecture. The components and geometry of the poetic images and the architectural coordinates of the mosques of this century are becoming more complex and can no longer be compared with the simplicity of the Khorasani style.

The most central character of mystical literature is "Pir", who has been mentioned by other titles such as Morshed, Morad, Vali, Sheikh, Ghotb, Ostad, Moghtada, Dalil Rah, Khezr, Rend, Pir Moghan, etc. In this article, we have sought to find out to what extent the literature of mystical poetry has used descriptive confrontations in identifying and introducing the old? And what are the aspects and elements most confronted with old age? The works of mysticism, especially Hadiqah al-Haqiqah Sanai, Mantiq al-Tair Attar, the spiritual Masnavi of Rumi, and the lyric poems of Hafez, have placed the old man with different personal and personal characteristics in front of different personalities and attributes. In the present article, the dual confrontations that have taken place in the works of mystical poems about the old with three approaches of characterization, conceptual metaphor and educational aspects and using structuralist criteria have been investigated. The achievement of the present study is that the mentioned poets have confronted different personalities and traits with the old man, in addition to highlighting and emphasizing his influence, to convey their personal and methodical experiences to the audience in the form of direct and symbolic messages. And tell the pure ways of the true elders from the false elders to its people, and fulfill their poetic mission and social method in this way, and at the same time add to the literary, original and aesthetic richness of their works.

Lamentation in the term means composing poetry in a person's mourning and has existed since the first periods of Persian poetry. In the Safavid era, this type of literature was linked to the Karbala incident and gradually became a stable culture. Since then, Shiite poets have written religious poems, especially Ashura poems, detailing their events. Ahli Shirazi and Babafghani Shirazi are among the great poets of the Safavid era who wrote exhilarating poems in the mourning of Imam Hussein (AS) and the martyrs of Karbala. In this research, 267 bits of Ashura poems of the mentioned poets have been studied from the perspective of literary images by statistical analysis of data; The people of Shiraz have more artistic uses than Baba Faghani Shirazi. Most of the laments have heavy weights and a calm and sad tone.The frequency of Arabic words as well as words with the mourning discourse of Ashura (such as Karbala, blood, martyr, sorrow, etc.) is significant in all elegies. The syntactic structure of many sentences is necessarily confused with poetry, but these changes are common in poetry and are not considered prominence. Intellectually, all the elegies confirm that the poets are Shiites; Attributing the incident of Ashura to the sky, which is a kind of determinism, is significant in these poems. The most important result of the present study is to reveal the similarities and literary differences between the elegies of these two poets and to know their views on the martyrs.