An alysis of the allegorical characters of Shahnameh from the perspective of Ferdowsi anthropological discourse

Ferdowsi's Shahnameh is a hypertext that depicts the identity of Iranian-Islamic man from pre-Islamic to the fifth century in an allegorical way. In processing the characters of Shahnameh stories, Ferdowsi consciously introduces two types of characters, good and evil, based on the discourses of the period. Each of the characters can be allegorically represented as a Scheme of negative and positive figures that have emerged due to class worldviews and power relations. Rostam and Afrasiab, as representatives of two groups of characters, due to the change in the literary type of the text and Ferdowsi's discourse with these characters, show an allegory of good and bad human components. Using allegory, Ferdowsi gives an allegorical form to some of the characters of Shahnameh and considers each of them as an allegory of one or more concepts, such as Rostam, Zahak, etc., each of which is an allegory of different concepts such  as  good and evil. Love, wisdom, religion, wisdom, etc. are other concepts that Ferdowsi, with an allegorical look, depicts his content and thoughts in order to manifest his anthropological thought