Imagination or internal and external imagery of the poetry of Malek osh-Sho'ara Bahar Poets with emphasis on the school of Cubism

Poetry has several components, and the elements that make up poetry, both in external mechanisms and in internal mechanisms, depending on several elements, one of which is the image. With the help of words, the poet can bring formal concepts from the outside to the page of the paper. So illustration means that the poet can convey his desired images with the help of words and phrases, either objectively and accurately, or surrealistically. This feature reflects contemporary developments in avant-garde art, especially Cubism. In this article, the main purpose of the authors is to study literary imagery in the field of poetic imagination in the works of Mohammad Taghi Bahar, the king of poets. The fundamental issue of this article that the authors seek to answer in the class quality of the poetic images of the poet's spring from the point of view of his imagination and perceptual levels, the passage from the levels of poetic imagination to the deeper layers of his fantasies and illustrations. In this regard, after introducing different layers of the image in the two areas of surface image and image, it is concluded that the complexity of the image network in Bahar's poetry is directly related to his mental network, so that different levels of these images gradually become his stylistic features. The research method is descriptive analysis and the method of data collection is the library.