Classification and Typology of Sassanian Pottery Jahangir Site of Ilam Province

Pottery as one of the archaeological findings, plays an important role in recognizing cultural periods. Jahangir area is located in Ilam province and is one of the Sassanid sites in western Iran. In the third season of excavations at Jahangir site, significant potteries from the Sassanid period was obtained which is considerably worth studying and for this research, 92 pottery pieces were selected among hundreds that were obtained. The main purpose of this research is to introduce and classify the Sassanid potteries of Jahangir site. In the present study, the potteries obtained from Jahangir site were classified based on their technical specifications and shapes, and were typologically and finally chronologically examined (comparative and laboratory studies); the data collection method is based on documentary studies and field studies, also the research method is descriptive-analytical. The analysis have been done with the purpose of comparative chronology and explaining cultural relations with other regions. The questions posed in this research are: To what period of the Sassanid era can the pottery collection of Jahangir area be attributed? And are the potteries of Jahangir area more regional in terms of style or a trans-regional style is visible in them? The chronology done by Moluminescence (Thermoluminescence) method on Jahangir potteries, indicates the attribution of this area to the second half of the sixth century A.D., a comparative comparison also showed that in terms of relative chronology of Sassanid potteries they are similar to sites that belong to the late this era. It should be noted that the potteries of this area are comparable with areas such as Oltanqalasi in Moghan, Mahneshan in Zanjan, Qasrabunsar and Hajiabad in Fars, Shush, Sassanid sites identified in the studies of northern Khuzestan, Mianab in Shushtar, Bushehr, Ras al-Khaimah, Tal Mahuz, Abu Sharifa, and Kish and Bergutiyat in Iraq and, in addition to the impacts of regional style, it has the most similarity to the cultural field of southwestern and southern Iran.