نشریه تئاتر
سال یکم شماره 54 (پاییز و زمستان 1392)

In this research which with analytical – descriptive method in a qualitative framework has been conducted, the goal is to examine how such a popular folk epic like Koroglu is able to be adapted, what are the adaptation capabilities this epic has, and if the current adaptions are successful or not. In anticipation of the adoptions, in each field of cinema, opera and theatre, three phenomena are selected and study has been conducted on them. The survey results and analysis, reveal the Koroglu epic, has several dramatic features causes this epic is suitable for adoption. The analysis based on professional standards, shows that the theatrical and opera adaptation of the Koroglu epic was not very successful but the movie adaptation from the point of view of dramatic features was a successful adaptation. Because of the good recognizing of the needs of its time, it has been able to change the story and characters in the new burnished character of Koroglu and other heroes, and make a new adaptation.

Reviewing the works of foreign contemporary playwrights written based on daily life issues is among the critical discussions in our drama which can lead to the enhancement of its quality. In different periods, French writers have established their works based on deep human issues and also have always been progressive in terms of writing techniques. One of the characteristics of France contemporary drama includes the diversity of its approaches. Works of Eric Emmanuel Schmitt, the contemporary French writer, have been translated, played, and also welcomed by different societies. He has created noteworthy works by employing suitable and effective techniques and focusing on critical human issues. In recent decade, his works have been of prime interest and been translated, performed, and welcomed. The very human content of the works concerning life, death, love, and philanthropy with their unique and technical structure is the reason underlying the interest. Schmitt is amongst the writers who have a special technique in writing plays that tends to attract the audience; that is, using different and successive suspensions in the plays. With respect to his background regarding philosophical studies, he presents a genre of drama integrated with philosophy; of course, a simple and comprehensive philosophy talking about tangible and evident issues in human life. Schmitt’s drama is a sort of looking at being through the window of the philosophy of life. The philosophy which considers an end and destiny for human to which one can achieve by relying on spiritual attitudes such as love, honesty, and devotion. Most of his works can be regarded as social realism and/or thorough melodramas. In his works, Schmitt makes attempts to look at humans’ life from a social aspect with acuity and accuracy. The humans in his works have no supernatural and extraordinary aspect, but they face special situations and reactions to those situations which multiply the attraction of his works. In this article, first, we try to define the suspension and its usage in dramatic arts by using technical and professional books, dictionaries, and encyclopedias. Then, we present a selection of his plays all of which are considered among realistic works. In each of the plays, Schmitt places the humans in special situations and depicts their acts. The element of suspension plays a key role in creating attraction for the plays which we have analyzed (in Petty Crimes of Couples, The Enigma variations, Love Quake) and assessed the use of it so that we can depict the famous contemporary writer’s performance regarding the description of 21st century human which are common in most societies.

For the first time, Catharsis, is introduced in Aristotle's book as a provocative treatise a pity and fear, purification and illumination. The different interpretations of Catharsis which is based on religion, medicine and ethics, caused to identify and evaluate its nature in classical period. Accordingly, the aim of this paper is to investigate the evolution of how Catharsis explores the quality of modern theater and drama base on drama parameter in this era. The hypothesis is proposed that Catharsis has an independent nature and its quality is altered. On the other hand, this paper also seek to achieve a precise and clear definition of Catharsis in contemporary. Investigate the nature of Catharsis can evaluate its quality and favorable cognitive function which cause continuity in contemporary art. The data collection in this paper is library and descriptive research methods.

From the past, the adaptation of classic salient works has always been one of the main ways of creating new art works. Adaptation from a source culture to a destination one also is a kind of intercultural dialogue which as we see it is a very important issue of our era. So it is obvious that doing reserches and analysis on any aspect of this matter could be useful and on the other hand we can statistically claim that most of the researches and articles done on adaptation are consentrated on adaptation technics and methods and not on its cultural aspects. In the process of adaptation some changes and adjustments are necessary to be carried out from the original work to the target one. Most of these adjustments will be formed in transition from the temporal-spatial culture of the original work to the temporal-spatial culture of the target work. The art work as a structure which is made in its own cultural environment has some materials which may differ from one culture to another, i.e. the artist who adapts according to the culture in which he lives has access to some new basic materials by which he has to rebuild the original work. The word “Culture” is a main term in human studies, which has been determined and described in different times and various analytical schools in different ways. In a major categorization we can categorize these methods in two types, “Descriptive” and “Parametrical” definitions. Clearly we should use the parametrical definitions in this paper. And after studying different parametrical analysis and editing them and omitting the repetitive ones we will have these parameters as the main parameters of a culture: language, science, religion, law, politics, gender relationships, marriage, moralities, habits, beliefs, arts, etc. Because of the article limitations four items were chosen among these parameters:Science, Religion, power relationships and gender relationships. The subject of this paper is to find out which materials are available in each culture to build a new structure (here the new art work). Are these materials the same in all cultures? Could some of these materials be seen as equivalent to some others in another culture? Is it basically possible to transit these essential parameters in two different cultures? Doing so, the first part has been assigned the exploration of the notions of culture and its constituents. Other parts regarding the selected case studies (Shakespeare’s play: Hamlet, Varujh Karim Masihi’s movie: Tardid (doubt)) have been devoted to the survey of cultural parameters of Shakespear’s era in Britain and Iran accordingly. As it was noted above these surveys have been carried out from four different perspectives: Science, Religion, power relationships and gender relationships. In next part the selected case studies have been scrutinized according to the findings of the past chapters and the primary results indicate the importance of conforming the cultural parameters in adaptation so that if the conformity is not achieved the result of adaptation would not be as effective as the original work or more likely it would eliminate its artistic values.

The present study was designed to investigate the ability to create a theater-style apartment with a view of Iranian views on the sociology of Iranian families provide a way for the entrepreneur and income from theater to theater and also how to use apartment dwellers, apartment for cultural development was To illustrate the descriptive - analytical technique was used. The research is a qualitative and practical. Important information research using library methods (taking notes) Athletics (dialogue with experts) were collected The most important findings and the results obtained are easy and accessible way to the theater flats towards entrepreneurship and revenue for the theater Moreover, the implementation of these theaters will have positive social impacts. The results show that the ways Iran can produce ideas and ways of solving their apartment theater

In this project that has been done into descriptive-analyze method mid utilize from mythology will study women characters in plays of two women’s author. “Wild woman archetype” has been formed from theorys of Carel Gustave Yung, unregarded in literary and artistically studying in my country. This archetype have been rebounded into literature and art with diferent shapes to qualification of politic, social, economic and cultural. Searching of this archetype in plays of two Iranian women author can be explanatory of secret angle from character of women and dimensions of psychologize of women in this plays. Important asking in this article is introducing traits of wild woman archetype (that it is picture from true nature of women); we understand about reaction of these traits into plays of two auther and lack of one or several traits or overhand, inordinate emphasis on one or several traits, what respect does find with worth while sense of psychologize and Sociological? In first part, have been studied about traits of wild woman archetype and we have studied about cultural sensations and another elements on it. In another parts, we recount traits of wild woman and reconcile them with picture of woman in sample plays. In deduction are said that women in this plays, in dimensions of psychologize and Sociological is reaction of wild woman’s true nature and traditional traits and pushy with her and making stressfull atmosphere for them, are receded them from creating life, vivacity and joyance and recognition nerve. Thus are unlimbered for this characters arena of rebellion and dander, so will be annihilated their future and survival.

Thesis for master (MA) degree is the final stage of this academic level after leaving behind the courses intended for students with providing a scientific – research. The students can approve the knowledge of yourselves in the field of research before graduation. Soore University in this academic level is new and in these university 41 theses has been written. This paper assumes that Abstract, contents, Introduction, Body of Research, Conclusions and References are the main components of a structure of a research; so examined the Abstract, Introduction, Conclusion and References of eight theses as a statistical sample of the population 41 protocol and has tried to match the level of supervision provided with the principles of writing a scientific research. Here to avoid Unnecessary prolongation of the paper, Three abstracts, two introductions, references and conclusions has been chosen for displaying those authors way of researching. The case studies randomly have been selected and samples (theses) have been analyzed by Descriptive –Comparative method. Results of this study show that the most of theses in writing Abstract and Conclusion have many problems and Only half of them have adhered the principles in writing the introduction but most of them have been approved common scientific principles in writing resources.